cosplay – Page 3 – Living History in the Star Wars Galaxy

Galactic Style Guide – Ammo belts and Pouches III

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re concluding our examination of the various styles of belt gear and pouches seen onscreen by looking at Original and Prequel examples together – let’s get started! In the first two entries, we focused on military-surplus (or milsurp style) gear, so this time we’re looking at the few non-milsurp examples.

Our two male heroes have belt gear which seems military but (as far as I know) isn’t – if you can’t swing actual milsurp, you can’t go wrong with real, unadorned leather in one color, and minimal hardware (snaps and brass studs, at most):

One of the ‘Pruneface’ commandos in Episode VI has an intriguing cylindrical belt pouch, which I believe was also borrowed for Wilford Brimley’s character a few years later:

What do we think it is? Optic case of some sort? Milsurp or not?

One of the places where we see a decidedly different style in action is among the ‘scum and villany’ at Jabba’s palace. Let’s break it down:

Galactic Style Guide – Ammo belts and Pouches II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In our second entry looking at the various styles of belt pouches and bandoliers seen onscreen, we’re focusing on military surplus (and milsurp-style) examples as seen in the Prequel Trilogy.
Let’s begin (again!) on Tatooine!

Throughout Episode I, we see young Anakin Skywalker wearing one half of an Italian Army ammo pouch for the Carcano rifle (plus another mystery pouch):

Several of the background characters in Mos Espa have belt gear with ‘Lift The Dot’ fasteners; these appear to be a dual-magazine pouch very similar to this WW1-era pouch for the Colt 1911. As I discussed previously, I feel that these kinds of pouches are acceptable for outfitting far-background characters like these, but I feel they toe the line of ‘visible fasteners’. However, they’re usually very sturdily made to stand up to the rigors of authentic use, so if you are reenacting or doing living history with an audience inside the 10-foot line, it’s probably worthwhile to take the extra effort to cover them behind some canvas or webbing.

Jedwar Seelah, Chokk, and the unnamed Nikto podrace mechanics.

keep reading for more examples!

Galactic Style Guide – Ammo belts and Pouches I

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re taking a deep dive into a specific category of gear that plays a major role in creating the GFFA’s uniquely grounded, quasi-militaristic aesthetic – belt pouches! As a great number of Star Wars character designs utilize longer robes or tunics instead of more western/modern shirts and trousers (and thus are are sans pockets), it seems that even the most pedestrian costume designs are routinely festooned with a wide variety of semi-rigid containers for carrying small items!
Due to the great number of onscreen examples, I waffled back and forth for how best to organize and present them all. Eventually, I decided to break them down by real-world source (milsurp vs. non-milsurp) and era (Classic Trilogy vs. Prequels) within these categories. As usual, we’ll close with some important takeaways for those of you who may want to incorporate a pouch or two in your own kit to add some in-universe style points! Let’s begin (as we so often do) on Tatooine!

The first folks we see onscreen wearing military surplus are the Jawas, who set the trend for what follows. Much like the majority of base firearms used for blaster building, the Jawas’ belt gear is comprised of European ammunition pouches and bandoleers drawn from a period of roughly 1890 to 1945 CE.

Jawas and Tuskens are both seen using **British pattern 1903 bandoleers**

Farmboy Luke continues our trend of leather Euro milsurp pieces, sporting an interesting trio of belt pouches:

keep reading for more examples of authentic, in-universe belt gear!

Galactic Style Guide – Backpacks II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re returning to our examination of in-universe backpacks, this time focusing on some less rigid examples, encompassing not just backpacks but also things like satchels and bedrolls.
As we said last month, this kind of unassuming and field-functional gear is woefully underrepresented among the GFFA costuming community (who tend to go for eye-catching and…less-than-functional). This is too bad, because a good pack can really elevate an impression and make it feel like a living, breathing kit and not just a costume: it shows the viewer “I am a real individual with needs beyond what I carry on my belt or in my pockets.”
Let’s dive in and get some ideas!

The softpack that gets the most screentime in the Lucas films is probably the one Luke totes Yoda around in during his Jedi training. As far as I know, nobody has yet identified it as a milsurp piece (though the buckles might be?) so it may have been made in-house for Episode V. If anyone has any details on it, please share them below in the comments!

keep reading for more in-universe backpack inspo

Diamonds in the Rough – Colin “OddViking” Adams (part 2)

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This is the second half of our two-part interview with Colin Adams, and after digging deep into the design stages in last month’s entry, we’re ready to follow along as he starts his actual build process!

When first considering this project, Colin said he knew how to sew “at a moderate level”, and knew there were other folks who made custom Mando-style flightsuits. However, he also knew that if he was able to attempt this and succeed at it, not only could he learn some new skills, but he would also be able to alter and tailor it himself! I’ve always been a big fan of Lev Vygotsky’s ‘ZPD’ theory when applied to reenacting-crafting, and it helps to choose projects which not only build on one’s existing skills but which can help push them to the next level – but not to bite off something completely outside your existing skillset! If you’ve never touched a needle and thread before, sewing something as complex as a screen-quality flightsuit for your first project would likely result in you getting frustrated and giving up. There are no ‘skip three levels ahead’ cheat codes IRL, so it pays to work smart, start small, and build on what you already know! Looking back on his project, Colin said that while things like setting a zipper fly were so much more complex than they seemed at first, “I feel like I leveled up two levels doing this suit: it really came out great and fits me perfectly.”

the secrets of authentic Star Warsy crafting continue…

Diamonds in the Rough – Colin “OddViking” Adams (part 1)

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This is actually the first half of a two-parter, because our subject has gone so totally above and beyond and built an incredible kit with tons of details that spreading it out over two months is the only way to really do it justice!

If you’ve spent any time exploring Star Wars content on Instagram in the last several years, chances are you’ve seen Colin Adams’ incredible work before. As a professional graphic designer/illustrator, Colin has a very large bag of tools to draw from, and puts them all to good use with a number of impressive cosplays and kits, each fully-detailed and seamlessly dropped into immersive settings with the magic of Photoshop. At the beginning of this year, when I saw Colin was starting a custom Mandalorian build, I knew the final result would be amazing. As we’ve discussed previously in our First Steps series, one of the keys to successfully creating an effective GFFA character is to dedicate time at the beginning of the process to doing your research and really nailing down what the ‘outer persona’ should look like.

creating this incredible mando kit, step by step

Diamonds in the Rough – Keith Olsen

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month’s entry comes from Keith Olsen, who has done his research to put together an excellent impression of a generic ‘Pyke Syndicate’ soldier.

As you can see, this build was initially inspired by the appearance of the Pykes as seen on ‘The Book of Boba Fett‘ (though as I’ll discuss in a bit, an animated-style Pyke would look quite different!), and as such is based at around 5 ABY.

Keith did a lot of old-school costume replication legwork – unless something goes on display for an exhibit, this typically involves very carefully scrutinizing screenshots – to determine the materials and types of clothing that could be bought off the shelf for this outfit.
Let’s examine the elements one by one!

keep reading for the full breakdown and details

AgriCorps Jedi impression (2023) – hard kit

This month, I’m switching things up and making an effort to lay out my current complete kits for GFFA reenacting/living history. The clothes (soft kit) worn by a Jedi in the AgriCorps are only one part of that impression – what about field gear???

“What do the Jedi carry in their pockets? String, or nothing! In The Phantom Menace we see that the Jedi wear utility belts, and just as Batman always has the right tool for the job the Jedi would therefore carry anything the writer needed them to have in a particular story, up to and including space-shark repellent. … The Jedi would never be caught without a breather, a comlink, food capsules, etc.” (Dan Wallace, endnotes for The Jedi Path, #3 of 4)

The basic needs can be covered by a belt kit which holds the necessary tools, a canteen for hydration, and a satchel (M9A1) for a couple larger items.

What’s inside? I’m glad you asked!

keep reading for Jedi field gear EDC breakdown

AgriCorps Jedi impression (2023) – soft kit

Somehow, it’s been almost seven years since I first entertained the idea of doing first-person interpretive workshops in the Star Wars setting, and since then my various portrayals have evolved quite a lot! Although a reenacting kit is never ‘finished’—but I’m a perfectionist who likes to wait until something is complete before sharing (hence why I rarely share full-kit updates! – see the problem here?)—I want to try and lay out each of my ‘complete kits’ in their most up-to-date form, summarizing the background research and justifications for choices that I’ve made to create each impression. All of this is intended to serve as an example of what solid, research-based fictional living history looks like. Because they will inevitably get pushed down the blog’s front page, these posts will be collected at the new PERSONAS AND IMPRESSIONS page ^above^!

I want to start with the impression that first got me thinking about ‘doing Star Wars‘ in a reenacting/living history sense – a ‘washout Jedi’ member of the Agricultural Service Corps.

Galactic Style Guide – Colored Lenses & Visors

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common costuming faux pas that can make an outfit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
In past entries, we’ve looked at things that aren’t really part of the typical ‘galactic aesthetic’: bright colors, visible fasteners, overly-designed patchwork clothing, etc. This month, we’re going to focus on an element of character design which is present in the visual record, but which has a very specific pattern of usage and which is far overrepresented in the fan-costuming community.

Good reenacting—fictional or historical—typically deals less with the elites of a given culture/period/setting, and more with accurately representing the experience of its common people. Since the current paradigm of Star Wars ‘Original Character’ costuming seems to entirely revolve around 3D printing, armor, and helmets, if you want to create an armored or helmeted ‘OC’ that will faithfully represent a typical galactic inhabitant, then listen up and read on!

There’s one easy way to tell at a glance if an armored Star Wars character is somehow SPECIAL: just look at their helmet! If the lenses or visor are anything other than plain black*, you can bet money that they’re some sort of elite. Some examples from the good old EU:

Shae Visla (**Mandalore** the Avenger!), Utapau shadow scouts/Clone shadow trooper, clone commandos, **Commander** Gree and 41st scout trooper (*Episode III*), shadow trooper, shadow EVO trooper, and Emperor’s Shadow Guard (*The Force Unleashed*)

Notice anything?

Keep reading for recent post-disney examples, and analysis!