Diamonds in the Rough: Phil Howard

Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month we’re talking with the UK’s Phil Howard, who had an absolutely stellar Mandalorian pilot kit:

sadly, I have to use the past tense as he has since sold this kit. 😥

Color-wise, this ensemble is rock-solid. Much like Boba Fett’s classic Episode V/VI look, Phil uses a neutral-toned flightsuit with armor in limited complementary colors: mustard, deep red, OD green, and khaki. Much like WW2 airmen, he is armed only with a pistol, though it is clearly not the focus of the outfit. Like Rebel pilots of the Classic Trilogy, his use of flak vest, parachute webbing, and chest box provide character-appropriate layering, which give believable visual interest.

Phil told me that he was initially inspired to create this outfit while being in the MMCC [Mandalorian Mercs Costume Club] for a few years, where he had seen several others with ‘Mando Pilot’ kits and decided to simply “give it a go!”.

more details and full kit breakdown below

Programming Announcement – 2022

Hello there, readers! As I did last summer, I want to give a heads-up that the next several months will see a change in the pace of material being published here at the Star Wars Living History blog. While I kind of wish this announcement was coming at the start of another long-distance backpacking adventure, the actual reasons for it are still exciting!

Somewhere around the middle of Virginia last fall I decided that when I returned from the Trail I wanted to get into the (small) business of galactic clothing, and this spring launched my Offworld Outfitters brand. At present my product line is limited to in-universe-styled spacer/adventurer’s vests, with plans for other offerings possible down the line. I trust that the previous five years’ worth of posts at this blog will sufficiently demonstrate my commitment to quality and the authentic GFFA style 😉 For those interested in a vest of your own, you can find my vest commission form and more information at the OFFWORLD.OUTFITTERS link above!

So: in order to better divide my time between this venture and some intensive projects for the Middle-earth Reenactment Society, plus for my own mental health (you can experience ‘burnout’ on hobbies, too!), over the next few months you will see me stepping back from publishing this blog on a weekly basis. What this means for you, reader: my recurring series the Galactic Style Guide will continue to drop on the last Saturday of each month, while future entries in our new Diamonds in the Rough interview series will come out on the second Saturday of each month. In between those, I may release other posts on an individual basis as time allows; in other words, as a rule you should expect two posts per month instead of four (or five).
I’m also open to the idea of reader-submitted guest articles, so if you have a fictional-reenacting or GFFA-living-history-related topic you would like to research and report on, please don’t hesitate to click the CONTACT button above and get in touch!

Thank you for reading, and may the Force be with you!

Galactic Style Guide – Color II

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common mistakes that can make an outfit look Not Star Warsy. As part of the Galactic Style Guide, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
As I teased last time, we’re going to be working with at an excellent tool for helping us see the ‘Star Wars look’ in action: Mando Creator . This handy bit of coding lets users create their own two-dimensional Mandalorian outfit by customizing every element in terms of design, color, and decoration. If you’ve used Bitmoji, HeroCreator, or similar avatar-making tools, it’s pretty easy to get the hang of. I’d never played with it before, and in 20 minutes I had made up my own hypothetical Mandalorian kit!:

when you know the rules, it’s really not that hard to make something that looks passably in-universe

One of the coolest parts—at least for the purposes of training our ‘Star Wars Eye’—is the Armor Gallery feature, where we find (in addition to a few novelty designs and face characters like Din Djarin and the Fetts) a wide variety of completed assemblages submitted by other users.

two easy tweaks to boost your in-universe style accuracy!

Diamonds in the Rough: G. Palmer

Over the years, I’ve seen easily thousands of Star Wars costumers come across my various feeds. While there are plenty of folks with screen-accurate face character outfits in the Legions, the ‘OC’ section of the community can be a little more…hit-or-miss. In this recurring feature, I’ll be sharing my interviews with several stand-out examples of the foundation of what we aspire to do here – accurately portraying the common galactic citizen. I hope that these individuals can help illustrate what Star Wars ‘reenacting’—or at the very least, high-quality in-universe costuming—looks like, and provide some insights into their character creations.

In our first entry, we’re spotlighting G. Palmer, who has put together a first-rate impression of a common droid mechanic:

SWLH: What was your initial inspiration for this character design?
GP: I was inspired by the kinds of background characters that are seen for a few seconds and then disappear around a corner or through a doorway.

Interview continues in-depth within

Talk the talk, walk the walk

Whenever I come across someone online showing off an original Star Wars costume, few things can make it feel out-of-universe faster than visible Earthly fasteners. This should come as no surprise, as the lack of visible fasteners (zippers, buttons, etc) was one of Lucas’ chief design points when creating the original film’s visual style (see Alinger’s SWCOT). While working on a future installment of Galactic Style Guide, I realized I should probably lead by example and make sure none of my own kit pieces broke this rule…and if any did, to fix them ASAP!

Since a lot of my gear has been purpose-built for GFFA living history, most of it is fastener-free. However, some of the milsurp pieces I use would need tweaking; the first of these was my satchel, originally an M9A1 gas mask bag:

Sure, it’s ‘good enough’, but can you see what might use improvement?
Continue reading “Talk the talk, walk the walk”

Upgrading the Rebel persona: Naboo tunic, Mk II

Since debuting my first draft Rebel-partizan-on-Naboo impression back in 2018, further research has caused me to continue to refine the kit. In addition to needing some more layering, the main thing that needed upgrading was the shirt. My ‘Mark I’ Naboo shirt was not (aside from the Mandarin collar and the color) based on any specific onscreen examples, and the use of a Vietnamese ao dai pattern was only inspired by costume designer Trisha Biggar’s comments re: the general use of Asian elements in Naboo fashion (and at the time I liked the asymmetry of the design). However, I realized that I should probably wear something that more clearly ‘read’ as Naboo in origin, and it should probably be constructed of a lighter material as well – the Mk I was sewn from a ‘rustic’ 7.1-ounce linen.
Since this piece is intended for a Galactic Civil War era persona, I really wanted to try and move away from the traditional Naboo style seen in the Prequels, especially the Renaissance-heavy designs of 32 BBY:

“We had designed Naboo more or less around Art Nouveau (we called it “Space Nouveau”), which was based on organic, plantlike forms. The costume ideas looked gorgeous on the women, but when you put guys in them, they didn’t look very tough.” – Ian McCaig, Dressing A Galaxy, p.72.

Roughly inspired by the lines of the traditional Indian kameez, I pored over my reference library to see what Naboo male fashion stuck around through the years while noticing any common elements:

sartorial synthesis and more, within!

Galactic Style Guide – Color I

Welcome to the first entry in our ‘Galactic Style Guide counterpoint’ subseries! Where the GSG could be summed up as ‘how to look Star Warsy’, these alternate posts are meant to highlight and remedy common mistakes that can make an outfit look Not Star Warsy!
From the very beginning, the world of Star Wars has always had a very specific visual style. Unlike the matinee serials it was inspired by (in which heroes wore shiny, silver bodysuits and enemies wore bright gold and scarlet robes), the Galaxy Far Far Away was much more grounded in its visuals. While characters might fly starships across the galaxy and duel with swords made of pure energy, they didn’t dress futuristic. Chief costume designer John Mollo’s mix-and-matching of real world historical styles (Russian/Japanese peasantry, American cowboys, medieval gowns, World Wars military uniforms, etc) for inspiration provided the solid and believable foundation from which the series’ visuals would evolve. As part of this grounded approach, most characters tend to wear costumes in a very specific range of colors:

“The color scheme basically was the baddies would be black or gray, with the exception of the stormtroopers, and the goodies should be in earth colors—fawns and whites… Mollo tried to keep the colors muted wherever possible. Color is very, very difficult to use. Bright colors don’t work well on film, particularly reds and blues. George always goes for the authentic….and if it’s all garish color, it doesn’t work.” (Brandon Alinger. Star Wars Costumes – the Original Trilogy, 2014. p 15.)

This rule does not mean, however, that your outer persona need be limited to earth tones and shades of gray – as we saw a few weeks ago, there are tons of examples of characters wearing every color of the rainbow (especially in the pre-Imperial period)! However, if you noticed, almost all of them had something in common. As we read above, the main rule for creating authentic in-universe clothing is simple: Avoid. Garish. Color.: thus, if a garment is a fully-saturated hue, it is much less likely to ‘read’ as being authentic to the Star Wars setting. Let’s take a look at what I mean.

unSWarzy colors fixed using digital wizardry, within!

Star Wars Color Theory

As I was preparing an upcoming post, I started wondering which characters in the Saga wore colors beyond earthtones, black, white, or shades of gray. I started leafing through my Visual Dictionaries and several hours later I had created the following rainbow of characters. These are presented in chronological order within each color band, and as we cans see, Trisha Biggar’s costumes for the Prequels are FAR more colorful than those of the Galactic Civil War period. If I do a third collection for all the blacks, whites, grays, and earthtone characters, I’m sure there will be many more OT characters represented.

Show me The cooler end of the spectrum!

Coming soon: a new way to exercise your ‘Star Wars eye’

Whenever I go to the thrift store, I usually cruise the racks on the lookout for certain materials—chiefly linen, wool, and silk—to be cannibalized into items for my various reenacting kits. After years and years of doing this, I can often identify a piece’s fiber content just by walking or thumbing past it, with no need to check the tag. When I go thrift-shopping with my wife, she will often remark and wonder on how I’m able to do this, and the answer is simple: trial and error, reinforced by years of practice. It’s a kind of exercise, and I’ve simply trained my ‘fabric eye’ to recognize one cloth from another.

(This is the same type of practiced skillset that allows me to go into the woods with the Middle-earth Reenactment Society and confidently pick a stalk of nettle or milkweed out of a thicket of other dead, gray plant stalks when we’re in need of some wild cordage on a trek).

What does this have to do with star wars, you ask?

Project: Naboo pilot’s helmet part 3

Welcome back! This is the third and final part of my buildlog for attempting to scratchbuild an N1 starfighter pilot’s helmet. When we left off, I had the scaling figured out and patterns drafted, and the side pieces and earmuff details created. Now it’s time to craft the helmet’s shell itself.
To get an idea of how the helmet would look, I transferred the patterns to lightweight cardboard and taped everything together to make a rough mockup of the whole assembly to check the general shape:

This was bonded along the seams (inside and outside) with brown paper bag and PVA glue (left) before brushing both exterior and interior with Bondo resin (center):

Continue reading to see the Step-by-step to completion!