cosplay – Page 10 – Living History in the Star Wars Galaxy

Searching for AgriCorps style

It’s somehow been several (4.5?!) years since first I first ventured forth to do some first-person galactic interpretation, and as you would expect in a hobby geared towards constant tinkering and improvement, I’ve made plenty of changes to that impression since then. In the coming months, I plan to roll out some ‘complete kit’ breakdowns for my various Star Wars living-history personas. In the case of my ex-Agricultural Corps Jedi impression, I realized that a kit breakdown wouldn’t be the right place for fully detailing the research that went into said impression…especially since I portray him long after the Corps has been dissolved!
What’s more, a recent addition to our community in the SWLH facebook group expressed great interest in pursuing an AgriCorps impression, so I wanted to use this post and lay out the few bits of information I’ve been able to dig up–not only for their benefit, but for anyone else who might be thinking about such a persona. If you have an interest in gardening, botany, biology, geology, or environmental science and want to apply it to the Galaxy Far Far Away, consider the AgriCorps!

Compared to the larger Order as a whole, our sample size of analyzable visual examples for the Service Corps (and AgriCorps specifically) is a miniscule—only nine.

This generic Mohawk’d fellow comes from the Power of the Jedi Sourcebook (2002), while The Jedi Path (circa 115 BBY) gives us six more individuals, plus a generic Service Corps member:

Galactic Style Guide – Shoulders II

Happy Boxing Day, and welcome back to the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to create a more authentic ‘outer persona’! For our final installment of 2020, we’re wrapping up our look at the archetypal exotic space-fantasy ‘wide-shouldered’ look.

We’ll begin by teasing out some examples of armor-based wide shoulders from the earlier phases of galactic history (pre-1000 BBY):

shoulders-armor-Ancient — Naga Sadow, Freedon Nadd, Exar Kun Ulic Quel-Droma, Arca Jeth, Gav Daragon; Vitiate, Arcann, Darth Vindican Satele Shan, Darth Malgus; Lord Hoth, Valentyne Farfalla, Army of Light

I don’t have a ton of interest in (or access to) much material from this period, so it’s totally possible I’ve overlooked some key figure. Is there anyone I’ve missed? Please let me know!
As we’ll see, more modern characters from the Clone Wars all the way into the Legacy era have also worn armor that widens the upper body: Continue reading “Galactic Style Guide – Shoulders II”

Thoughts on ‘The Believer’

Welcome back to my commentary series on Season 2 of The Mandalorian; for this installment we’re breaking down Chapter 15 ‘The Believer’. Aside from the first episode, I haven’t been too especially fond of any of this season’s installments; after the on-rails themepark ride of ‘The Siege’, the poor direction of ‘The Jedi’, and the mindless action of ‘The Tragedy’, I had low hopes for the next episode. As we will see, having lowered expectations meant I was able to be pleasantly surprised.

The episode opens with a scruffy-looking Mayfeld on a New Republic prison work detail, where he’s busting up wrecked TIEs. Right off the bat, I’m onboard, because while Star Wars might refer to prisons from time to time, we almost never get to actually see people in prison, much less doing menial labor – it’s a nice bit of worldbuilding. (Off the top of my head, all I can think of is the Jedi Knight novella which saw Alphonso Obata incarcerated by the NR on Milagro, jackhammering a city glassed by orbital bombardment).

In this opening we see Boba has repainted his armor, and it looks…Not At All Star Wars-y. While one could easily make the argument that ‘Everything was new once’, seeing him with a refreshed paintjob and how weird it looks really underlines how key the ‘Used Universe’ look is to the Galaxy Far Far Away. If you, dear reader, have just finished assembling and painting your own Star Wars kit, don’t stop now! It may feel wrong to intentionally ‘mess up’ something you’ve spent a lot of time and effort on, but if you really want to do right by the aesthetic, you need to bite the bullet and do some weathering and aging to really sell the look.

Also, is this the first time we’ve seen a light-up identification doodad? I can guess what all the fancy propmakers and Batuu-bounders will be upgrading to this winter…

Galactic Style Guide – Shoulders I

Welcome back to the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to create a more authentic ‘outer persona’!
Ever since the days of Ming the Merciless, sci-fi designers have been using a wide-shouldered silhouette to let the audience know a setting is exotic or non-Earthy, and Star Wars has been no different. While I’ve found no specific mention of this design point in comments from costume designer John Mollo, his original designs for ‘girl Luke Starkiller’ show a mantled hood that may have planted the seed that eventually became this prevalent costume element:
It’s worth pointing out that even though the very first onscreen SW character (C-3PO) could be said to display a form of this style, it really didn’t kick into full gear until Return of the Jedi, and by the time the Prequels rolled around, giant collars, mantles, and shoulder pads were in full force!

shoulders Ep1 Naboo — **Wide shoulders on pre-Clone Wars Naboo:** Amidala, Sabe; NSF Palace guards, Sio Bibble, Phylo Gandish; Unidentified Theed civilian, unidentified advisor, Hugo Eckener, Horace Vacil, TC-14; civilian prisoners. Note that the entire Naboo Royal Advisory Council and Theed nobles dress pretty much alike.

In defense of ‘close enough’

Let’s talk about fish-lady sweaters for a second.
When a Mon Calamari showed up in The Mandalorian Chapter 11 wearing an off-the-rack fisherman’s sweater, the community lost no time in memeifying it before hopping on Amazon to snatch up one or two for themselves. I find it encouraging that people are interested in costuming a common civilian for once (instead of the rare-in-universe but over-represented-in-cosplay Jedi/Sith/Mando/bounty hunter ‘player classes’)…but if I was looking to put together a GFFA dockworker impression, I definitely wouldn’t go out and buy the exact onscreen sweater—and not just because they’re probably now very scarce! Here’s why.

Thoughts on ‘The Heiress’

Welcome back to my breakdown of The Mandalorian Season 2 episodes, this time Chapter 11 ‘The Heiress’. I guess I should start disclaiming at the top:
YAR, HERE THERE BE SPOILERS. READERS, YE BE WARNED.
When I watched the episode the first time, I was definitely subconsciously picking up on the Apollo 13 reentry sequence vibes…that film is too imprinted on my brain for me to not notice, but I didn’t make the connection for the reason behind it – this chapter was directed by Ron Howard’s daughter. Well then, of course it makes sense she would pay homage to her father’s masterpiece! Some of my friends have also picked up on the Firefly/Serenity vibe of a falling-apart spaceship slowly shedding parts. Seeing as we’ll never get more Firefly, having Firefly stuff in other properties works fine for me.
As the ship is trying to set down on the landing pad, I noticed the sound of the Razor Crest’s engines ‘coughing’ and trying to turn over is the same as Anakin’s podracer in Episode I doing the same thing, which is some nice continuity.

In general, I really like the nautical feeling of this whole chapter. The synopsis was something like “Mando braves danger on the high seas” so I wasn’t sure what to expect, but when he arrived at what was essentially a seaport town, it started to make sense, and the latter half of the episode is essentially ‘Mando turns pirate!’ I love all the Mon Calamari and Quarren dock workers, with their waders and knit fisherman’s sweaters! It’s so refreshing to include a location so geared towards the ‘common’, especially as it creates a great opportunity for a ‘GFFA living historian’ to interpret some seaside skills (rope splicing? lobster pot baiting?) in an authentic manner.

Galactic Style Guide – Vests II

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help You create a more authentic ‘outer persona’! For this month’s installment, we’re wrapping up our look at sleeveless or vest-type garments.

We’ll start off with some ‘common’ vests:

Mace Towani, Noa Briqualon (x3); Gela Yeens, Greedo, Kabe, Sai’torr Kal Fas, Bom Vimdin, Dr. Evazan; Lobot, Nien Nunb, Emon Azzameen, Thracken Sal-Solo, Corellian spacer, generic Colonist (FFG), Baldarek.

Upgrading the Rebel persona: captured armor

Reb-leg 202010-2 When I started putting together a Rebel partizan impression a few years back, I initially had the idea—inspired by real-life guerillas’ practice of appropriating enemy equipment—to include a piece or two of captured Imperial hardware in the kit. I was very aware of the temptation to overdo it…too many cosplayers let their imaginations run wild and pretty soon a simple ‘Rebel fighter’ costume becomes an unrealistically fully-armored supertrooper. Since s Alliance doctrine holds that “complete freedom of movement is more useful than the dubious protection provided by armor—which rarely stops a blaster bolt anyway” (WestEndGames, Rebel Alliance Sourcebook, p99), we don’t have a ton of examples of Rebels wearing extensive armor; even this more modern source depicts a Rebel ‘heavy’ gunner with only an arm’s worth of armor:

reb-heavy — FantasyFlightGames: *Age of Rebellion* – Forged in Battle, p 82

I reasoned that while a Rebel partizan would probably do most of their shooting from a prone position, anything to give an advantage in taking a stable shot would be desirable, so with this in mind (and to keep things simple), I decided to order a single Stormtrooper shin/calf from Walt’s Trooper Factory, along with a ‘sniper’ knee plate: Continue reading “Upgrading the Rebel persona: captured armor”

Staying true to the aesthetic

(I had originally scheduled this to post a few weeks from now, but since writing it the pitfalls described below keep popping up on my feed, so I couldn’t hold my tongue any longer.) After seeing more than my fair share of Star Wars costumers and their outfits online, I’ve noticed a particular trend in the last year or two across various social media platforms, mainly in the case of the Galaxy’s Edge-inspired/Batuu-bounding or OC crowd:

The desire to slap a Rebel Alliance starbird, Jedi crest, Sith symbol, Mickey Mouse, or Aurebesh letters on bloody everything seems very strong with this segment of the fandom, and the big driver of this, I think, is of course the consumer market. As a quick test, let’s do a image search for ‘Star Wars backpack’.

Galactic Style Guide – Vests I

Welcome back to the Galactic Style Guide, our monthly series in which we break down the ‘Star Wars aesthetic’ in order to create a more authentic ‘outer persona’! This time around, we’re looking at a key element introduced by the very first non-droid Star Wars characters ever seen onscreen:
Yes, we’re talking VESTS! Since they are so prevalent and we have so many examples to discuss, we’ll be devoting two entries to them. Original costume designer John Mollo had a pretty simple reason for giving the Rebel ‘fleet troopers’ (and many other characters) vests – visual interest! “‘The waistcoats look a bit more businesslike and give them a bit of texture,’ he says. ‘They would have been a bit boring if they had just been wearing a gray overall suit.’” (Alinger, Star Wars Costumes – the Original Trilogy. p 22).

If you’re behind the times, please note that the screen-used Rebel Fleet Trooper vest auctioned in 2017 boasted a whopping ELEVEN pockets, most of them entirely pointless or impractical! (As they say, go big or go home.):
We’ll continue with vests used by the Rebel Alliance.