Living History in the Star Wars Galaxy
applying the methods of progressive historic reenacting to the Galaxy Far, Far Away
Location: local indoor Astroturf park
Event type: ‘Star Wars Day’: kids activities, Chewbacca contest, costume contests, dodgeball, lightsaber ‘academy’; etc.
Although the event wasn’t really a good fit, if I had thought ahead of time, I could have reserved a table and laid out a display of survival gear. Ah, hindsight!
A few local organizations that did have tables:
Continue reading “Event debrief: May the Fourth 2018”
As a borderline hermit, meeting and conversing with celebrities isn’t something I have a lot of experience with. So when I learned that the prodigal Dr. David West Reynolds was going to be returning to his hometown library for a screening of his film-archeology documentary “Journey to Tatouine’ and that the event was being advertised as ‘Star Wars Day’, I knew I was going to have to make an appearance.
This would be my second ‘Stars Wars at the library’ event, and since the first, I’ve had several other events with the public to help me focus and refine my approach. This time, I knew what to expect and was somewhat prepared with a rudimentary engagement hook—a thick stack of facsimiles of the Declaration of Rebellion to distribute.
Continue reading “Event Debrief: 17 March 2018”
This is another one of those on-screen artifacts I had a really easy time identifying, because I grew up seeing identical cups in my mom’s kitchen drawer of plastic cups and bowls—except hers were a sort of seafoam-ish green:
The cup that Luke drinks from is an actual vintage Tupperware cup, known as a “Sweet Saver” (product #640-8) meant for storing and pouring liquids like maple syrup or salad dressing.
These are often available and relatively inexpensive on eBay, or you may get lucky by combing your local thrift shop for vintage Tupperware.
Continue reading “Artifact ID: blue milk cups”
One feature I’ve been wanting to implement here is a series in which I take a close look at individual images, something along the lines of Townsend’s Sifting the Past blog. And here, I think, is the perfect example to start with!
This picture comes from Wizards of the Coast’s Galactic Campaign Guide (2003), p. 113. The book is a great source for our purposes, as it includes (among many other juicy details) an excellent section on species-specific naming conventions, and many similar world-building vignette scenes.
Looking at this image with an anthropologist’s discerning eye, several details leap out at me.
Continue reading “Image Analysis: Clone Wars Playtime”
After acquiring a Swedish winter cap for $10, I had originally planned to do just a few simple modifications—removing the superfluous rear buckle, replacing the fake fur of the flaps with wool, and then giving it a dunk in some brown RIT dye.
However, the more I looked at the Pfilbee Jhorn pictures, the more I felt that simply relying on the similar shapes of his hat and the Swedish one wouldn’t be enough to make this an authentic piece.
Continue reading “Crafting the Coldweather Hat”
Hats of any type are comparatively rare in most Star Wars sources (especially when it comes to main characters), and hats for cold-weather scenarios are doubly rare. Since the main films only depict one cold-weather setting (Hoth in Episode V), we have an extremely limited pool from which to draw inspiration for cold-weather gear. As a result, most depictions tend to use variations on the Episode V ensembles, such as an obscure ‘cold weather gear’ Obi-Wan action figure based on Han Solo’s parka, or the Jedi Academy PC game, which outfits Jaden Korr for his mission to Hoth in the uniform of an Echo Base technician.
However, having proper GFFA cold-weather items is necessary if, like me, you don’t want to be limited to three-season excursions.
Continue reading “Searching for winter headwear in the Galaxy”
The ‘Donovian Rainmen’ are a pretty deep cut, never appearing (as far as I know) on-screen in their film, but only in a DK reference book, a behind-the-scenes documentary (“A Twinkle Beyond Pluto”) on the Episode II DVD, and one frame of Dark Horse’s Republic #80.
However, they have always intrigued me, given their specific ‘occupational’ identity. Continue reading “Artifact ID: Donovian Rainmen”
In the spirit of Christmas and the Nativity (even though Jesus of Nazareth was most definitely Not born at midwinter), I wanted to publish something with a Mary and Joseph, poor-folk-on-the-road theme.
On a recent rewatch of Episode II (focusing on scenes with background commoners), I noticed something in the scene on the refugee transport. I’m surprised I never noticed it before, considering it’s so shiny and eye-catching…
Yes, as Obi-Wan says, “Your eyes can deceive you” and that we shouldn’t trust them. However, in this case, seeing is believing, because that is quite clearly an unmodified, off-the-shelf, stainless steel water bottle sitting on the table between Padme and Anakin.
At first, a small part of me wondered if it was even meant to be there. Continue reading “Artifact ID: Refugee’s water bottle”
This post is a follow up to my earlier musings on the trade-off between public recognizability and authenticity. After some careful consideration, I finally made some decisions that allow me to have my cake and eat it too, while also helping to better distinguish my Jedi persona as being based in the Imperial era.
Continue reading “Differentiating the Jedi persona”
Updated terms in italics
One of the later steps (#7 of 8) in Townsend’s Getting Started series is the process of further developing one’s persona through building of the ‘inner persona’. This means going beyond the superficial outer persona (one’s clothes and gear), and better inhabiting the mental headspace of your chosen individual. One great way to do this is through the words we use for things.
For example, if I were portraying an American settler in the early 1700s, referring to the indigenous population as “Native Americans” would smack of modern political correctness; but to refer to them as “savages” or “naturals” would be quite appropriate. Likewise, to greet someone with the postmodern “Whatsup?” in a 19th century reenacting context would be quite jarring!
Living History in the Star Wars Galaxy 