Based on the broad trends noted in the previous post, I decided that my Naboo civilian impression would need (at minimum) a tunic, trousers, and tall boots, and possibly an outer layer as well.
The tunic would need to follow local style, and so be in a muted color, have an overlapping and/or asymmetrical closure, a high Mandarin collar, and long sleeves, probably without cuffs.
Continue reading “Building the Rebel persona – 4.1: Naboo soft kit”
Tag: common
Searching for civilian style on Naboo
When I first started toying with the idea of portraying a Rebel ‘partisan’, I knew I wanted to integrate elements of the local planetary fashion, but also include enough elements of the larger galactic style so that the impression would still be recognizably Star Wars.
Finding the right ratio between the two would be the real trick, since a) Naboo’s nobles in the late Republic period tended to dress in an impractical, distinct Renaissance style, b) we don’t really know what Naboo fashion was like during the Imperial period, and as I’ve written before, it’s hard to be taken seriously as a guerilla fighter when you’re dressed like Catherine de Medici. If I wanted to pull this off, I was going to have to do some detective work.
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Building the Outer Persona: a three-season pack
While I’ve been humping my Bergan external frame pack around for almost a decade (and I’m very pleased with it!), I’ve been starting to wonder if maybe it isn’t…overkill. As an aspiring minimalist, I like to try and pare my outdoors kit down to the bare essentials, and a large frame pack with lots of attachment points—in a gear version of Jevon’s Paradox (as one’s pack increases in capacity, the expanded space cannot help but be filled)—only makes it too easy to throw in everything but the kitchen sink.
I realized then that while the Bergan is perfectly suited to be a winter pack—able to carry a tarp, sleeping pad, and blanket/sleeping bag, plus a drybag of spare clothes and other seasonal necessities—I might need something a bit more modest for the rest of the year. Continue reading “Building the Outer Persona: a three-season pack”
The Cure for Temporal Headaches
Whenever you begin putting together a new persona (in any setting, fictional or historical), it always helps to firmly ground yourself in a specific time. This is simply Good Living History—the narrower the range, the more focused your research can be, contributing to a more accurate impression. If you’re portraying a ‘longhunter’ (an 18th century market hunter), you don’t want to be drawing your ‘outer persona’ (aka clothing and accoutrements) from the 1720s or 1790s (even though they’re technically still in the 18th century); rather, you would focus on the 1750s through 1770s, since that’s the period in which these folks operated. If you have enough information from primary or secondary sources, you can even pin your impression down to a specific year, month, or week (this becomes easier to do the closer to the present one gets, as the amount of raw information (and therefore, potential sources) increases exponentially).
Deciding on a specific span of time makes your persona more authentic, especially if you’ve done your research.
Continue reading “The Cure for Temporal Headaches”
Image Analysis: Ruusan lookout
“The statue that had occupied the platform off to his left had fallen hundreds of years before. The remains of it were scattered down the forward slope and pointed toward a skillfully sculpted hand. The palm was blackened where signal fires hand burned, beckoning travelers from many kilometers away. It must have been something to see.” Star Wars: Jedi Knight (William C. Dietz) 1998.
I’ve always liked this piece from the Jedi Knight novella. Actually, Dave Dorman’s photo-realistic paintings have always been very influential in terms of how I imagine the GFFA. This vignette just happens to be one of the few EU depictions of an isolated cell of commoners on the run from Imperial forces – and so is very useful for my purposes.
Here we see a familiar mishmash of gear that is very inspirational for those of us who portray fringe-y Rebel personas:
Continue reading “Image Analysis: Ruusan lookout”
Image Analysis: Taxi Ride
This will be a short post, as there’s not a lot in this vignette (from page 109 of Wizards of the Coasts’ Galactic Campaign Guide) to talk about, just some buildings, a lot of ships, and a few non-humans (a Duros taxi driver, two Cereans, and an unknown). However, one of those speeders is very familiar:
Don’t recognize it? How about now?
That’s right, we finally have an appearance of Boba Fett’s toy airspeeder in situ – it’s no longer just a prop made up for a Visual Dictionary, it’s a legitimate vehicle!
Event debrief: May the Fourth 2018
Location: local indoor Astroturf park
- This gives a pretty good sense of the event.
Event type: ‘Star Wars Day’: kids activities, Chewbacca contest, costume contests, dodgeball, lightsaber ‘academy’; etc.
Although the event wasn’t really a good fit, if I had thought ahead of time, I could have reserved a table and laid out a display of survival gear. Ah, hindsight!
A few local organizations that did have tables:
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Event Debrief: 17 March 2018
As a borderline hermit, meeting and conversing with celebrities isn’t something I have a lot of experience with. So when I learned that the prodigal Dr. David West Reynolds was going to be returning to his hometown library for a screening of his film-archeology documentary “Journey to Tatouine’ and that the event was being advertised as ‘Star Wars Day’, I knew I was going to have to make an appearance.
This would be my second ‘Stars Wars at the library’ event, and since the first, I’ve had several other events with the public to help me focus and refine my approach. This time, I knew what to expect and was somewhat prepared with a rudimentary engagement hook—a thick stack of facsimiles of the Declaration of Rebellion to distribute.
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Artifact ID: blue milk cups
This is another one of those on-screen artifacts I had a really easy time identifying, because I grew up seeing identical cups in my mom’s kitchen drawer of plastic cups and bowls—except hers were a sort of seafoam-ish green:
The cup that Luke drinks from is an actual vintage Tupperware cup, known as a “Sweet Saver” (product #640-8) meant for storing and pouring liquids like maple syrup or salad dressing.
These are often available and relatively inexpensive on eBay, or you may get lucky by combing your local thrift shop for vintage Tupperware.
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Image Analysis: Clone Wars Playtime
One feature I’ve been wanting to implement here is a series in which I take a close look at individual images, something along the lines of Townsend’s Sifting the Past blog. And here, I think, is the perfect example to start with!
This picture comes from Wizards of the Coast’s Galactic Campaign Guide (2003), p. 113. The book is a great source for our purposes, as it includes (among many other juicy details) an excellent section on species-specific naming conventions, and many similar world-building vignette scenes.
Looking at this image with an anthropologist’s discerning eye, several details leap out at me.
Continue reading “Image Analysis: Clone Wars Playtime”
Living History in the Star Wars Galaxy 