clothing – Page 3 – Living History in the Star Wars Galaxy

Galactic Style Guide – Zippers

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common faux pas that can make your kit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
This month, we’re taking a look at one of the specific elements which George Lucas decided would have no place in his Star Wars aesthetic – zippers! (For our look at the other form of visible fastener Lucas specifically didn’t want to see, see this previous entry).

If I were to ask you when you first learned that Lucas didn’t want to see zippers and buttons onscreen, there’s a very good chance it was sometime after 2014 and the release of Brandon Alinger’s excellent SW Costumes – The Original Trilogy. However, the no-visible-fastener rule had already been in print for at least seven years: discussed in Rinzler’s The Making of Star Wars (2007), on page 125. What accounts for the delay before this fundamental GFFA costuming rule became truly widely known is, I think, social media; Facebook was still in its relative infancy in 2007. Since then however, the top-down Lucas directive has become frequently-cited in costuming circles, and yet cosplayers and Batuu-bounders still try to excuse visible zippers in their costumes; typically, this involves pointing to a screenshot of Luke Skywalker zipping up his flightsuit in Episode V:

Remember, per our sources, Lucas said he didn’t want to see such fasteners, not that they didn’t exist at all (many seem to have trouble with this distinction). Why Luke’s zipper (and presumably, those of all the other onscreen pilots and technicians) is perfectly permissible is simple: once worn, it isn’t visible – it’s hidden by a flap! (If you can think of a way to convey a pilot suiting up for battle by donning a one-piece flightsuit without showing them zipping it up, I am all ears!) However, there are a fair number of other characters whose costumes do include uncovered zippers: luckily for us, these tend to fall into one of two categories; unluckily for us, things seem to have taken a step backwards in the modern era…

keep reading for plenty of examples from the lucas and disney eras!

Diamonds in the Rough – Colin “OddViking” Adams (part 2)

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This is the second half of our two-part interview with Colin Adams, and after digging deep into the design stages in last month’s entry, we’re ready to follow along as he starts his actual build process!

When first considering this project, Colin said he knew how to sew “at a moderate level”, and knew there were other folks who made custom Mando-style flightsuits. However, he also knew that if he was able to attempt this and succeed at it, not only could he learn some new skills, but he would also be able to alter and tailor it himself! I’ve always been a big fan of Lev Vygotsky’s ‘ZPD’ theory when applied to reenacting-crafting, and it helps to choose projects which not only build on one’s existing skills but which can help push them to the next level – but not to bite off something completely outside your existing skillset! If you’ve never touched a needle and thread before, sewing something as complex as a screen-quality flightsuit for your first project would likely result in you getting frustrated and giving up. There are no ‘skip three levels ahead’ cheat codes IRL, so it pays to work smart, start small, and build on what you already know! Looking back on his project, Colin said that while things like setting a zipper fly were so much more complex than they seemed at first, “I feel like I leveled up two levels doing this suit: it really came out great and fits me perfectly.”

the secrets of authentic Star Warsy crafting continue…

Galactic Style Guide – Text

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common faux pas that can make your kit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
This month, we’re taking a look at a design phenomenon that’s big on the Disney side of things (whether it be in films made under them, things sold by them, or costumes worn by fans while visiting them) but which was only ever a minimal part of the ‘Star Wars aesthetic’: text on stuff!

The fact that we went six films with zero non-technical Aurebesh (and the first two, most seminal films had NONE at all) should tell you everything you need to know: when it comes to Aurebesh on kit items, it’s always superfluous.
With that in mind, I want to look at some examples to illustrate why you’re better off omitting Aurebesh entirely. Out of respect for the SW costuming/maker community, I’m focusing on publicly-available items sold by Disney, but the point is still applicable: even when executed correctly it’s still largely* unnecessary, and—if used at all—should act as a garnish, not a side dish – let alone the main course! If your impression is relying on Aurebesh to make sense, something’s not working and it might be time to go back to the drawing board.

*As we saw before, pretty much the only folks we saw wearing Aurebesh pre-Disney are prisoners and biker-gang types. Occasionally we see small identifiers like ‘crew’ or ‘staff’, but these simply serve to demonstrate the wearer’s membership in a group as separate from the public.
For a refresher on examples of places where we do commonly see in-universe lettering, check out this GSG entry.

Let’s start off with a couple items featuring completely redundant Aurebesh additions. Did you ever notice that all the top brass at the Death Star’s conference room had matching drinkware?

Here’s the version sold at Galaxy’s Edge:

From one side, it just looks like a slick space-fascist travel mug. From the other side though, it looks like the Empire thinks its officers need to be constantly reminded of who they work for.

more Bad aurebesh products, and how to prevent them!

Galactic Style Guide – Ponchos II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at ponchos, focusing on examples from the prequel era! (As a reminder: for our purposes, we’re defining a poncho as a garment worn as an outer layer for protection from the elements, which covers the front of the body).
Let’s keep things rolling with the poncho I think I would most want to curl up in:

Qui-Gon wears this poncho when venturing into Mos Espa in Episode I—the script specifying that he is “dressed as a moisture farmer”. Trisha Biggar notes that the coarse-weave is a silk/linen mix and that the border is “printed”—though I’m not sure what exactly that means (Dressing A Galaxy, p20).

Take a good look at that beautiful nubby texture!

keep reading for many more examples

Galactic Style Guide – Ponchos I

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! It’s been a minute since our last entry in this series, but here on the last weekend of Star Wars Month, we’re taking a look at examples of garments which have been part of the GFFA look since the very beginning: ponchos! For our purposes, we’re defining a poncho as a garment worn as an outer layer for protection from the elements and which covers the front of the body; things like capes and cloaks tend to be open in the front and worn more for form than function (hence their frequent use by ‘classes’ like gamblers and politicians). As we’ll see, ponchos on the other hand are almost always associated with salt-of-the-earth folks who aren’t afraid to get their hands dirty. Let’s dig in!

The first poncho we see in the Original Trilogy is worn by Luke as part of his farmboy attire:

While it’s a fun idea, as we’ll see next month, this is *not* Qui-Gon’s poncho.

more examples inside!

AgriCorps Jedi impression (2023) – soft kit

Somehow, it’s been almost seven years since I first entertained the idea of doing first-person interpretive workshops in the Star Wars setting, and since then my various portrayals have evolved quite a lot! Although a reenacting kit is never ‘finished’—but I’m a perfectionist who likes to wait until something is complete before sharing (hence why I rarely share full-kit updates! – see the problem here?)—I want to try and lay out each of my ‘complete kits’ in their most up-to-date form, summarizing the background research and justifications for choices that I’ve made to create each impression. All of this is intended to serve as an example of what solid, research-based fictional living history looks like. Because they will inevitably get pushed down the blog’s front page, these posts will be collected at the new PERSONAS AND IMPRESSIONS page ^above^!

I want to start with the impression that first got me thinking about ‘doing Star Wars‘ in a reenacting/living history sense – a ‘washout Jedi’ member of the Agricultural Service Corps.

Drawing on history

Back in 2015, a museum exhibit in Belarus showed off a set of reconstructed costumes from early medieval (8th-12th centuries CE) Baltic cultures. Shortly afterwards, the outfits began making the rounds online, eventually getting shared to a Middle-earth reenactment group I’m a part of. We all thought they were very impressive: inspiring examples of what culturally-cohesive outfits can look like. Then, a year or two ago, I saw the exact same pictures again—but this time in a Batuu-bounding group on facebook! There, they were prefaced with a message like, “check these out – wouldn’t these make great bounding outfits?!”

While they are still great outfits, as-is, I had to disagree with the idea that they would be appropriate for GFFA use. As Doug Chiang pointed out in a recent interview, the thing that makes Star Wars feel so authentic as a setting is the eclectic use of mix-and-matched historical inspirations* (thanks largely to John Mollo’s foundational designs)—not merely using unmodified, straight-up historical ensembles! [As it’s pure gold, I’ve included Doug’s full quote at the end of this post, so keep reading.]
However, I could definitely see the appeal, especially in the outfits’ silhouettes, and challenged myself to apply a GFFA lens to the Baltic costumes and see if I couldn’t bring them nearer to the Star Wars aesthetic. I challenge you to try the same thing with other historical styles you may be inspired to use in your own outfit!

Let’s start with the red kit first. My main method used was to try and find an in-universe equivalent to each item:

Galactic Style Guide – Footwear II

Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at the great variety of galactic footwear seen in live-action sources.
If you’re not able to acquire taller boots but still want to get a Star Warsy silhouette, our first two categories are great options!

**Puttees/leg wraps/winningas:** Luke Skywalker (0 BBY), ‘Galen Erso’, unidentified Warrick Davis character (Episode I), Anakin Skywalker, Wald (32 BBY), Owen Lars (19 BBY), Padme Naberrie (?)

many more examples below (some you may have in your closet right now!)

Diamonds in the Rough – the ‘Normandy Quarren’

Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month, we’re very fortunate to bring you a look inside the French organization Transfert à Ord Mantell. The group is made up of several traditional (historic) reenactors who have applied their skills at reenacting to the galactic setting. When the photoset from their recent Normandy beach shoot hit the interwebs last month, it made quite a splash, and I knew I just HAD to pick their brains and learn more!

While there was obviously a lot of high-standard work on display, as the majority were existing character types (Imperial officer, stormtroopers, mudtrooper, scout trooper, a lowly rebel technician) or a known character (Boba Fett), the one that really caught my eye was their original Quarren character design:

what is it that makes this design WORK so well?

Galactic Style Guide – Footwear I

Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! It’s taken us a few years to get here, but in this entry, we’re finally taking a look at the one element a good costume literally stands upon – shoes! There’s a lot to unpack here, so our first two entries will look at live-action sources, and the third will cover visual examples from EU sources.

I’ve done my best to break these down by category, but my research library is far from exhaustive!; these are mostly drawn from the Complete Visual Dictionary (DK) and Alinger’s SWCOT. (Even if I could afford a copy, Trisha Biggar’s Dressing a Galaxy is not as useful for those of us interested in ‘common’ galactic folk…plus, the prevalence of characters wearing long robes means we don’t often see any footwear anyway!).
Let’s get started by looking at what it seems just about everybody wears in the Galactic Civil War era:

**Riding boots**: Biggs Darklighter, Ben Kenobi, Dannik Jerriko, the Tonnika sisters, Han Solo;
Rebel pilots (0 BBY), Luke Skywalker (medal ceremony), Bespin wing guard, Alliance generals, Luke (4 ABY), Bib Fortuna

I didn’t include them here (because…y’know, space-fascism), but I should note that most ranking Imperials wear similar boots. If you’re portraying a character in the Civil War period, you really can’t go wrong with something tall, black, and shiny!

Plenty more examples within!