Research – Page 4 – Living History in the Star Wars Galaxy

We need to talk about Aurebesh (part 2)

Welcome back to Aurebesh Month! You can read last week’s entry HERE! When the subject of backwards Aurebesh comes up, oftentimes people like to point to LucasArts games as a source of the flipping confusion. I will admit that there have been many times in LucasArts games where Aurebesh (or another in-universe script) has been seen in a horizontally-flipped orientation. However, this is different from the ‘flipped capitals’ reenactorism…because in these cases the letters aren’t flipped… the entire word is, and there’s an easy explanation.

We need to talk about Aurebesh (part 1)

In a post earlier this year, I brought up the idea of ‘reenactorisms’—the spread and perpetuation of an inaccuracy being unknowingly (or knowingly) passed around because somebody didn’t do their research. After that initial post, I realized one of the biggest reenactorisms in Star Wars costuming was my most infuriating pet peeve: the phenomenon of backwards Aurebesh letters. Having spent probably-too-much-time thinking about the issue, I thought I’d try something new and devote an entire month to the topic of writing in the Galaxy Far, Far Away. That’s right, folks: welcome to Aurebesh Month!

A quick search of Etsy for the term will easily reveal the problem we are facing: an annoying lack of consistency in how the letters are to be written. A number of these items are geared towards the Batuu-bounding crowd—patches, ID tags, Aurebesh ‘translators’, luggage tags, etc.—and I suspect it is the popularity of the Disney parks (coupled with the recent rise of Cricut-type machines that make cranking out crispy stickers so easy) that has caused the proliferation.

At the heart of the issue is the erroneous idea that Aurebesh has capital letters at all, let alone that it indicates them by horizontally flipping the letters. None of the Aurebesh texts seen at the Galaxy’s Edge park—the writing system’s most high-profile manifestation—includes these backwards capitals, so where did this idea originate???

Galactic Style Guide – Revealing Outfits

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help You create a more authentic ‘outer persona’! While this series is normally geared at pointing out style elements that are widely and commonly represented in the galaxy, this month we’re taking a look at a ‘style’ which is comparatively un-common. Or perhaps I should say, while we have many examples of revealing outfits, after examining the complete sample, we will see that this style should really only be worn by a limited set of character types. (For our purposes here, I’m considering an outfit ‘revealing’ if it exposes some combination of arms, legs, or torso).

scanties-Jabbas — **Jabba’s scanty retinue:** Leia, Malakili, Rystall/Greeata/Lyn Me;
Oola, Yarna d’al’ Gargan, Diva Shaliqua.

The character Jess—said to be a popular musician—while not a slave or servant, nonetheless dresses revealingly while at Jabba’s court.

far background Mos Eisley cantina patron Leesub Sirln – wearing a surprisingly futuristic-looking and revealing…leotard? (with riding boots!)

The Expanded Universe includes a number of examples as well:

keep reading

The great Twi’lek mix-up

I’ve explored the idea of Reenactorisms—the acceptance and perpetuation of an innaccuracy—several times before, but it is worth pointing out that these are not limited to fan creations: official resources can still fall into the pit.
Work on this month’s Style Guide post got me thinking about a key confusion in the depiction of the Twi’lek species: males have ears, but what do females have? The past 20+ years of visual sources suggest they all have cones where their ears should be, but prior to the release of The Phantom Menace in 1999, Twi’lek females most definitely had ears! We can trace the source of this confusing inconsistency by noting the examples of ‘cone’ or ‘ear’ as they appeared in order of release.

1983: Oola—the first depiction of a female Twi’lek—is green. The cones on Oola’s headdress are clearly white, and are also clearly part of the headdress, not protruding from within it.

January 1995: art development/pre-production begins on Episode I

Galactic Style Guide – Hats III

Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more Galaxy-accurate ‘outer persona’! This month we’re finishing up our brief survey of in-universe head coverings.

In my research into space-archeology clothing styles, I found the wide-brimmed, low-crowned style seems more common on the galaxy’s fringes, and is more likely to be worn by bounty hunters, settlers, explorers, treasure hunters, and the like. As I discussed previously, this style draws on visual archetypes of Spaghetti Western gunslingers and Pulp Serial archeologists, although our two final examples (both Naboo) seem to buck the trend, and instead invoke the more pastoral petasos of the Classical Greek traveler.

**Wide-brimmed hats**: Jacobi Sterne, Outer Rim Marshal (FFG Far Horizons), female archeologist/treasure hunter #1, female archeologist/treasure hunter #2; Rodian fringer/explorer; Nico Okarr, Cad Bane; Levet (Duro archeologist), Theed citizen (22 BBY) who appears to be carrying (in addition to a large striped bag) a wide-brimmed (straw?) hat; ‘the artist of Naboo’ (SW Visionaries).

Searching for Rebel trooper helmet variations

Almost as soon as I finished my ‘fleet trooper’ helmet back in 2017, I started planning a ‘donut’ helmet build, which I hoped would remedy all the complaints I had of the ‘swoop’ helmet: it would be smaller, more mobile, quieter, and much better at blending in with woodland scenery. However, on the off chance that I ever feel like busting out my ol’ swoop again, I’ve still kept my eyes open for examples of documented swoop helmet variations that might be a little more woodland guerilla-friendly. Sure, it would be easy to say, ‘Ehh, I’m sure a Rebel cell somewhere must have painted their helmets to blend in better, just make something up!’ But for accurate reenacting and living history, the bar is a little higher, and we can’t settle for fan creations on DeviantArt—we need examples from the visual record! Therefore, I wanted to share the examples of non-standard Rebel ‘swoop’ helmets that I’ve been able to dig up in hopes that they might be of use to someone else in the same boat. Enjoy!

These swoop-less helmets (art by Brian Schonburg) appear in Rules of Engagement, the Rebel SpecForces Handbook (1997).

seven more examples after the jump!

Galactic Style Guide – Hats II

Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! This month we’re continuing our survey of galactic headgear.

Conical ‘coolie’ hats might not be politically correct, but K’hkruk’s hat is still freaking sweet. The Mos Espa example appears to be a little more substantial (or maybe it’s just more broken-in) than the standard Asian rice hat, and looks tightly woven. Would probably be perfect sunshade on Tatooine (Ki-Adi Mundi wears his while tracking down Sharad Hett), and if paired with a fully GFFA-style outfit, you might be able to wear one without eliciting cries of “Cultural Appropriation!” As we see, this style was commonplace among the civilians of Nadiem during the Clone Wars (Hide in Plain Sight).

As I’ve found in my other ‘fictional anthropology’ pursuits, to make sure your audience knows you’re dealing with a fantastical, non-modern-Earth setting, throw in some Tall Hats…it works in BONE and Dinotopia, and the GFFA is no different!:

Galactic Style Guide – Hats I

Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! For this month’s installment, we’re taking things from the top and talking Hats!
Our main cast of characters tend to go hatless, but for secondary and background characters, hats are very commonplace. While certain styles tend to work better with certain settings, covering your head in some way is a great way to remind your audience that you are portraying an inhabitant of the Galaxy Far Far Away.
When I put a call out to the SWLH facebook group for style suggestions, the immediate first response was ‘Caps with flaps!’. As this type of hat is readily available as military surplus, such hats are a no-brainer way to make yourself quickly blend into the galactic populace:

Jedi Temple guards (3653 BBY), Grotto Werribee, Donovian ‘rainman’, tramper, Suu Lawquane concept; Pfilbee Jhorn, Alliance cold-weather troopers, Echo Base hangar technicians, Benedict Vidkun.

It’s worth pointing out that the hats of the Hoth hangar techs are essentially a WW2 US Navy deck hat, so if you’re handy with a sewing machine, stick around at the end for a free pattern.

Searching for AgriCorps style

It’s somehow been several (4.5?!) years since first I first ventured forth to do some first-person galactic interpretation, and as you would expect in a hobby geared towards constant tinkering and improvement, I’ve made plenty of changes to that impression since then. In the coming months, I plan to roll out some ‘complete kit’ breakdowns for my various Star Wars living-history personas. In the case of my ex-Agricultural Corps Jedi impression, I realized that a kit breakdown wouldn’t be the right place for fully detailing the research that went into said impression…especially since I portray him long after the Corps has been dissolved!
What’s more, a recent addition to our community in the SWLH facebook group expressed great interest in pursuing an AgriCorps impression, so I wanted to use this post and lay out the few bits of information I’ve been able to dig up–not only for their benefit, but for anyone else who might be thinking about such a persona. If you have an interest in gardening, botany, biology, geology, or environmental science and want to apply it to the Galaxy Far Far Away, consider the AgriCorps!

Compared to the larger Order as a whole, our sample size of analyzable visual examples for the Service Corps (and AgriCorps specifically) is a miniscule—only nine.

This generic Mohawk’d fellow comes from the Power of the Jedi Sourcebook (2002), while The Jedi Path (circa 115 BBY) gives us six more individuals, plus a generic Service Corps member:

Galactic Style Guide – Shoulders II

Happy Boxing Day, and welcome back to the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to create a more authentic ‘outer persona’! For our final installment of 2020, we’re wrapping up our look at the archetypal exotic space-fantasy ‘wide-shouldered’ look.

We’ll begin by teasing out some examples of armor-based wide shoulders from the earlier phases of galactic history (pre-1000 BBY):

shoulders-armor-Ancient — Naga Sadow, Freedon Nadd, Exar Kun Ulic Quel-Droma, Arca Jeth, Gav Daragon; Vitiate, Arcann, Darth Vindican Satele Shan, Darth Malgus; Lord Hoth, Valentyne Farfalla, Army of Light

I don’t have a ton of interest in (or access to) much material from this period, so it’s totally possible I’ve overlooked some key figure. Is there anyone I’ve missed? Please let me know!
As we’ll see, more modern characters from the Clone Wars all the way into the Legacy era have also worn armor that widens the upper body: Continue reading “Galactic Style Guide – Shoulders II”