Since debuting my first draft Rebel-partizan-on-Naboo impression back in 2018, further research has caused me to continue to refine the kit. In addition to needing some more layering, the main thing that needed upgrading was the shirt. My ‘Mark I’ Naboo shirt was not (aside from the Mandarin collar and the color) based on any specific onscreen examples, and the use of a Vietnamese ao dai pattern was only inspired by costume designer Trisha Biggar’s comments re: the general use of Asian elements in Naboo fashion (and at the time I liked the asymmetry of the design). However, I realized that I should probably wear something that more clearly ‘read’ as Naboo in origin, and it should probably be constructed of a lighter material as well – the Mk I was sewn from a ‘rustic’ 7.1-ounce linen. Since this piece is intended for a Galactic Civil War era persona, I really wanted to try and move away from the traditional Naboo style seen in the Prequels, especially the Renaissance-heavy designs of 32 BBY:
“We had designed Naboo more or less around Art Nouveau (we called it “Space Nouveau”), which was based on organic, plantlike forms. The costume ideas looked gorgeous on the women, but when you put guys in them, they didn’t look very tough.” – Ian McCaig, Dressing A Galaxy, p.72.
Roughly inspired by the lines of the traditional Indian kameez, I pored over my reference library to see what Naboo male fashion stuck around through the years while noticing any common elements:
In Episode I, Anakin Skywalker wins the Boonta Eve Classic podrace, which we’ve discussed before. Following the race, he and Qui-Gon sell his podracer, go home to mom, and Ani exclaims, “look at all the money we have!” Here’s the thing – the money Anakin hands her appears to be a stack of Republic credits.
On his way out of town (in a deleted scene), he also gives his old friend Jira her own stack of Republic credits:
As I was preparing an upcoming post, I started wondering which characters in the Saga wore colors beyond earthtones, black, white, or shades of gray. I started leafing through my Visual Dictionaries and several hours later I had created the following rainbow of characters. These are presented in chronological order within each color band, and as we cans see, Trisha Biggar’s costumes for the Prequels are FAR more colorful than those of the Galactic Civil War period. If I do a third collection for all the blacks, whites, grays, and earthtone characters, I’m sure there will be many more OT characters represented.
Welcome back! This is the third and final part of my buildlog for attempting to scratchbuild an N1 starfighter pilot’s helmet. When we left off, I had the scaling figured out and patterns drafted, and the side pieces and earmuff details created. Now it’s time to craft the helmet’s shell itself. To get an idea of how the helmet would look, I transferred the patterns to lightweight cardboard and taped everything together to make a rough mockup of the whole assembly to check the general shape:
This was bonded along the seams (inside and outside) with brown paper bag and PVA glue (left) before brushing both exterior and interior with Bondo resin (center):
Hello there! Welcome back to my buildlog for recreating an N1 starfighter helmet – let’s not waste any time and get straight into the process! In my last post I determined how big the components of the helmet would be, and decided on a method for construction (Pepakura). While I originally wanted to make all parts of the helmet using Pep, I decided that the Y-shaped-part-that-holds-the-earmuff was complicated enough that I should make them out of something more substantial.
I first considered making a mold and casting them in resin, and when I want to feel like a real prototyper, that means carving a positive from amber ‘victory wax’. Well, after a few days I had built up the shape pretty close – I figured I would cast the pieces fairly roughly, and then do the fine shaping on the casts, since resin doesn’t heat up and deform in-hand. However…
Before we get started, a quick scheduling note: the project that follows was a long and involved process, involving many different skillsets (including—but not limited to—pattern drafting, sculpting, casting, and woodcarving). Instead of trying to cram all that into one mega post, I’ve decided to split it up into three parts, and rather than dole them out separately across most of this month, I’ll be posting all three today (we’ll return to regular programming next week). With all that out of the way, let’s get started!
With little else to occupy my time while backpacking thousands of miles last year, I spent a large part of my AT thruhike thinking about ways I could improve my various Star Wars reenacting/living history kits when I got back home. Along the lines of adding a Q2 holdout blaster to my Rebel-on-Naboo impression, I wondered if there was anything else I could do to help anchor my kit to that specific planet. While the popular conception of Naboo is of a peaceful, pacifist culture, that’s not exactly the case. While they may not have a proper standing army, the Royal Naboo Security Forces are plenty prominent in the pre-Imperial period and have plenty of hardware to incorporate into a kit. Just as Earth military gear of past generations can trickle down to the civilian market as surplus and family heirlooms lay forgotten in attics, I figured something similar could happen on Naboo as well, especially following their effective demilitarization under the New Order. While I was never really onboard with the ‘pearl hats’ of the Royal Guards or the Security Guards and Officers’ visored caps, the headgear of one RSF branch felt like it had more Star Wars-y pedigree than the others: the Naboo Starfighter Corps. Their flight helmet is so iconic yet has such a grounded design I thought it might be fun to add one to my kit…and after supper one night in our tent I made a quick doodle of what a Naboo partizan might look like wearing one:
And once I make a character sketch, it’s all over – I have to make it a reality!
Once we returned home, I was able to do some research and see what kinds of options I had. Somewhat unsurprisingly (?) it doesn’t seem as if many fan-makers have tackled the N1 helmet…as far as I could tell, only one other (rather exquisite) fanmade example existed, produced by one ‘Godzilla’ (of super-accurate Tusken Raider mask fame). Perhaps one reason for this dearth was because an official N1 helmet replica does exist…they pop up on eBay from time to time but are typical quality for Don Post – they’re basically just a cast plastic shell with a mediocre paintjob – and more than I want to pay for such a thing. After being away from my workshop for so long, I really needed a project to get back in the Maker groove, and thought a scratchbuilt Naboo pilot helmet would do the trick nicely! The obvious question was: HOW?
I talk a lot on this blog about the idea of ‘reenactorisms’ – inaccuracies that get unknowingly (or knowingly!) perpetuated because someone didn’t do their research. Usually when discussing these blunders we’re talking about individuals making them, but I wanted to point out two examples to day that prove the big players are not immune to making sloppy mistakes either! Following the release of Episode III in 2005, LA’s FIDM (Fashion Institute of Design and Merchandising) hosted the exhibit Dressing a Galaxy, which featured 100 screen-used costumes from Episodes I through VI. From the pictures I’ve seen online it was an absolutely incredible presentation. However, one tableau of costumes held a glaring mistake for all to see:
Anything seem ‘off’ about this?
If you can’t spot it, maybe we’d better check the references:
I had written about this prop years ago, but that was really just noticing that the item Qui-Gon hands Anakin was the same as one in the Episode I Racer game:
Well, last week I decided to enlist the help of the prop hive-mind and posted a thread on the RPF seeking help in identifying this piece, and in a surprisingly rapid timeframe, one of the respondents had it pinned down!
It’s been quite a while since I’ve had any new Star Warsy whittlings to show off! I had planned to do some whittling along the Appalachian Trail last year (and found the perfect little neck-knife in a hiker box)…but unfortunately hiking 15-20 miles a day doesn’t leave time for much else besides eating and sleeping. I actually carved up this little consular ship last midwinter, and forgot I had been sitting on it for a whole year! Unlike the Republic cruiser I last whittled, this one was made out of poplar, so I was able to include a much higher level of detail:
It’s almost certainly Blockade Runner nostalgia, but I think this line of ships look so much better seen from an aft perspective.
Contrary to popular belief, while they look very similar, this is NOT the same model ship as the iconic ‘blockade runner’ of Episode IV!
Happy new year and welcome to our first post of 2022! I apologize for the delay in new postings, but since getting off the Trail my wife and I moved to a new city, which is always stressful and takes priority from hobbies like running this blog. Since I’ve been thinking a lot about living spaces lately, I thought it would be a great time to share a great nugget I uncovered while doing some recent research.
art by Hans Jennsen (Inside the Worlds of Episode I)
Say what you will about the Prequels, but I always thought despite being slaves, Anakin and Shmi’s home in Mos Espa seemed downright cozy (it’s probably all the low ceilings, rounded corners, and warm, creamy colors – cob-style architecture for the win!). But can we know how big it really was?
Living History in the Star Wars Galaxy 