Tag: persona

Whittling & galactic ‘pocket trash’ – R4 Astromech

In his Getting Started In Living History series, Master Jon Townsend suggests that the small items carried on one’s person are a great way to add depth to a living history impression, as well as create a more intimate connection to your persona. Reenactors refer to these items collectively as ‘pocket trash’, and can be anything from a love letter from the homefront, empty brass and small change, to an interesting rock or a pocket compass.
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Building the Rebel persona – 4.1: Naboo soft kit

Based on the broad trends noted in the previous post, I decided that my Naboo civilian impression would need (at minimum) a tunic, trousers, and tall boots, and possibly an outer layer as well.
shirt
The tunic would need to follow local style, and so be in a muted color, have an overlapping and/or asymmetrical closure, a high Mandarin collar, and long sleeves, probably without cuffs.
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Hindsight strikes again!

While I’m settling into my choice to refocus my Rebel ‘partisan’ persona on Naboo, this really just means a change of backstory and some items of clothing. I figure I can still use the Sulon-based impression for more in-depth opportunities, such as events with more adults (haven’t seen a lot of those yet, but ‘if you build it they will come’), who can grasp the concept that there are more planets out there than just what’s been seen onscreen.

Looking back in my notes, I was tickled to see that just like I did in deciding on my first Middle-earth persona, I actually briefly considered—and then talked myself out of—basing this persona on Naboo!:

“I’m from (and most likely to operate in) a temperate, deciduous biome, so I knew I wouldn’t be picking a desert or ice planet, but unfortunately, there aren’t a lot of planets in the GFFA that resemble eastern North America! The only deciduous-biome planet from the six films is Naboo, and we just don’t have enough details on it after about 19BBY for my confidence.”

For future reference: any time you think there are not enough details about a subject, this is just an opportunity to do some research! And boy, have I found some interesting tidbits since I started digging!

The Cure for Temporal Headaches

Whenever you begin putting together a new persona (in any setting, fictional or historical), it always helps to firmly ground yourself in a specific time. This is simply Good Living History—the narrower the range, the more focused your research can be, contributing to a more accurate impression. If you’re portraying a ‘longhunter’ (an 18th century market hunter), you don’t want to be drawing your ‘outer persona’ (aka clothing and accoutrements) from the 1720s or 1790s (even though they’re technically still in the 18th century); rather, you would focus on the 1750s through 1770s, since that’s the period in which these folks operated. If you have enough information from primary or secondary sources, you can even pin your impression down to a specific year, month, or week (this becomes easier to do the closer to the present one gets, as the amount of raw information (and therefore, potential sources) increases exponentially).
Deciding on a specific span of time makes your persona more authentic, especially if you’ve done your research.
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In Good Company

At the same time as I was struggling with my Naboo-rebranding dilemma, I was eagerly awaiting the arrival of copies of the 20th Anniversary Editions of James Gurney’s Dinotopia books. (Yes, I know these editions came out like, six or seven years ago…suffice to say that I’m thrifty, a laggard in more than just technology, and always wary of reissues with extra features…I tend to wait until I’m sure that the new edition will be worth it, find the best possible (usually secondhand) price, and then gift the old edition to a niece or nephew).
It was a particularly ironic bit of serendipity, since, as I touched on earlier, Naboo’s capitol Theed was maybe/maybe not influenced by Dinotopia’s Waterfall City.

Theed_youth_freedom
Source: Star Wars Art: Visions (2010)

Imagine my surprise then, when I began reading the added Foreword to the second volume, The World Beneath, and came across the following passage:
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Location, location, location!

I was re-watching Episode I on its 19th anniversary the other day, and I happened to notice something. Do you see it?
beechTPM
That’s right, Naboo has Beech trees! I did some digging, and as it turns out a lot of the outdoor Naboo scenes were filmed in England right outside of Leavesden Studios. And it got me to thinking…
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Event debrief: 14 July 2017

When I wasn’t working at the zipline, getting merchandise and materials ready for an earthskills festival, and taking a three-day Middle-earth trek in Wisconsin, every spare minute of the first half of July 2017 was spent finishing gear for a second survival presentation at the Frazier Museum’s summer camp—after the first session, I had told my facilitator that I had a Rebel militia persona in the works, and couldn’t go back on my word!
Therefore, I spent the entire two full days (July 12&13) before the camp finishing my Pepakura RFT helmet (which, as discussed earlier, came out looking surprisingly decent considering it was my first attempt with fiberglass), converting the last of my green army dress shirts to bib-front RFT-style, and getting my DH-17 retool in mostly-presentable condition.

After staying up til 0100 for multiple nights in a row, I managed to get everything done and was finally ready to debut my Rebel partisan impression, ‘Citizen Olis’, to a group of 10-13 younglings in grades 3 through 6!
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Event Debrief: 29 June 2017

In 2017, I was very glad to be invited back to the Frazier International History Museum for a second set of summer camp presentations.

Like last year, I would give a short talk on survival needs in the Galaxy, teach cordage with raffia, and then have Q&A time. This time around, however, I would present on different days to smaller groups. For this first session, my audience were 8-10 younglings in 4th-6th grade.
A year’s worth of research and refinements meant that I had a more detailed persona (Silo the on-the-run Jedi washout), and the event was highly successful thanks largely to my commitment to the First Person approach.
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Event Debrief: 20 July 2016

As they (probably) say on Kamino, when it rains it pours! That’s right, my first two public GFFA reenacting events were back-to-back!

Venue: Frazier International History Museum‘s ‘Jedi, Wizards, and Time Lords!’ summer camp
72016
Compared to the day before, this event was Much more to my liking. I debuted my basic (then-unnamed) Agricultural Corps persona, and presented (in First Person!) to two groups of about 15 campers each. I gave a 15-20 minute talk on contents of a basic survival kit (i.e. Dave Canterbury’s ‘10 Cs’, translated into GFFA terms), taught the reverse-ply cordage-making technique with raffia palm fibers, and then had a few minutes for Q&A.
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Artifact ID: blue milk cups

This is another one of those on-screen artifacts I had a really easy time identifying, because I grew up seeing identical cups in my mom’s kitchen drawer of plastic cups and bowls—except hers were a sort of seafoam-ish green:
640-8greenstar-wars4-movie-screencaps.com-2666
The cup that Luke drinks from is an actual vintage Tupperware cup, known as a “Sweet Saver” (product #640-8) meant for storing and pouring liquids like maple syrup or salad dressing.
These are often available and relatively inexpensive on eBay, or you may get lucky by combing your local thrift shop for vintage Tupperware.
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