Mandalorian – Page 3 – Living History in the Star Wars Galaxy

In defense of ‘close enough’

Let’s talk about fish-lady sweaters for a second.
When a Mon Calamari showed up in The Mandalorian Chapter 11 wearing an off-the-rack fisherman’s sweater, the community lost no time in memeifying it before hopping on Amazon to snatch up one or two for themselves. I find it encouraging that people are interested in costuming a common civilian for once (instead of the rare-in-universe but over-represented-in-cosplay Jedi/Sith/Mando/bounty hunter ‘player classes’)…but if I was looking to put together a GFFA dockworker impression, I definitely wouldn’t go out and buy the exact onscreen sweater—and not just because they’re probably now very scarce! Here’s why.

Thoughts on ‘The Heiress’

Welcome back to my breakdown of The Mandalorian Season 2 episodes, this time Chapter 11 ‘The Heiress’. I guess I should start disclaiming at the top:
YAR, HERE THERE BE SPOILERS. READERS, YE BE WARNED.
When I watched the episode the first time, I was definitely subconsciously picking up on the Apollo 13 reentry sequence vibes…that film is too imprinted on my brain for me to not notice, but I didn’t make the connection for the reason behind it – this chapter was directed by Ron Howard’s daughter. Well then, of course it makes sense she would pay homage to her father’s masterpiece! Some of my friends have also picked up on the Firefly/Serenity vibe of a falling-apart spaceship slowly shedding parts. Seeing as we’ll never get more Firefly, having Firefly stuff in other properties works fine for me.
As the ship is trying to set down on the landing pad, I noticed the sound of the Razor Crest’s engines ‘coughing’ and trying to turn over is the same as Anakin’s podracer in Episode I doing the same thing, which is some nice continuity.

In general, I really like the nautical feeling of this whole chapter. The synopsis was something like “Mando braves danger on the high seas” so I wasn’t sure what to expect, but when he arrived at what was essentially a seaport town, it started to make sense, and the latter half of the episode is essentially ‘Mando turns pirate!’ I love all the Mon Calamari and Quarren dock workers, with their waders and knit fisherman’s sweaters! It’s so refreshing to include a location so geared towards the ‘common’, especially as it creates a great opportunity for a ‘GFFA living historian’ to interpret some seaside skills (rope splicing? lobster pot baiting?) in an authentic manner.

Thoughts on ‘The Passenger’

Welcome back to my breakdown of The Mandalorian Season 2 episodes, this time Chapter 10 ‘The Passenger’. Overall, this was by far my least favorite episode of the series, and after a single rewatch to collect some more notes for this post, I can pretty confidently say that I won’t be casually watching it again. (My favorite episode, I think, has so far been S01E04 ‘Sanctuary’, which seems to be many folks’ least favorite.)
The episode opens with Titular Mando trucking along on a swoop toting Fett’s armor, when he is ambushed by some frontier trash/space pirates/bounty hunter types. I really liked that they use ye olde cable trap to knock him off the bike (see this old post where I apply some real-world maths and see just how much time you’d need to get such a trap set properly).

Among the ambushers is a guy whose face we never see, wearing a Rebel-pattern arm patch. This style first appeared on Hoth in Episode V, although it has since shown up on troops in ‘Rouge One’. I find it hard to believe that this guy was in the uniformed Alliance military, so it’s likely a case of double-dipping by the costume department I mentioned last episode. Similarly, the bald pirate wears a puffy R1 trooper vest.

Artifact ID: Mos Pelgo silver bowls

While giving The Mandalorian’s season two opener a rewatch I noticed something in the scene where we are first introduced to the Marshal ‘Cobb Vance’. When Vance removes his helmet and sits down, he places the helmet on the table next to a particular style bowl. I probably wouldn’t have noticed it until perhaps a fourth or fifth casual reskim of the episode, had Jon Favreau not lampshaded the helmet with a gratuitous closeup.

This one was a pretty easy identification, since I grew up using bowls just like this for my morning granola and yogurt!

Thoughts on ‘The Marshal’

Since The Mandalorian is the hottest thing in the galaxy right now, and with my queue of current projects winding down and no opportunities for public interpretive events in the foreseeable future, I want to share my thoughts on each episode shortly after each airs. Because…I have thoughts! These won’t be general reviews, but I’m going to try and focus on applying the topics of this blog (character design, material culture, issues of in-universe consistency, etc). Additionally, my research tends to uncover random details which enhance our knowledge of the galactic setting, but which aren’t always meaty enough to merit their own essays; I think Mandalorian episode writeups will be the perfect place to sprinkle these in.
I’ll be discussing topics in the order they appear, so let’s get started!

Since S01E06(‘The Prisoner’), the show seems to have a problem with its male Twi’leks. The size, shape, and angle of the head-tails is all wrong—they’re female-style(ish)—and I think it’s a side effect of the show’s relatively small budget. Since the usual male Twi’lek doesn’t wear a headband to hide the transition between actor and prosthetic, the look requires much more time in the makeup chair; the show’s makeup team have apparently decided it’s simply easier to pop a pair of female-style lekku and a headband on and call it good…but it looks hella weird:

This post from DIY the Galaxy gives a good overview of previous lekku depictions.

My worry for The Mandalorian Season 2

(Don’t worry folks, your regularly-scheduled Saturday post is still coming, but since everyone and their mother is watching DisneyPlus today, I had to get this out there and off my chest)

After first approaching it with caution, by the end of its first season, I was 90% on-board with The Mandalorian…all the way up until the last shot with that stupid ‘darksaber’ (Pete the Retailer agrees). Then earlier this year, I started seeing second season rumour-mill headlines that Lucasfilm was bringing in Temuera Morrison to play Boba Fett, while all signs were pointing towards Rosario Dawson (of all people) playing a live-action Ahsoka Tano. A few weeks later, a rumour that they were also looking for a live-action ‘Ezra Bridger’ (whose SWarsy naming-game I’ve always thought was amazingly weak) from Rebels. WHY?

Staying true to the aesthetic

(I had originally scheduled this to post a few weeks from now, but since writing it the pitfalls described below keep popping up on my feed, so I couldn’t hold my tongue any longer.) After seeing more than my fair share of Star Wars costumers and their outfits online, I’ve noticed a particular trend in the last year or two across various social media platforms, mainly in the case of the Galaxy’s Edge-inspired/Batuu-bounding or OC crowd:

The desire to slap a Rebel Alliance starbird, Jedi crest, Sith symbol, Mickey Mouse, or Aurebesh letters on bloody everything seems very strong with this segment of the fandom, and the big driver of this, I think, is of course the consumer market. As a quick test, let’s do a image search for ‘Star Wars backpack’.

Finding Your Place in the Galaxy

I was recently sent this video of the ‘Mando march’ parade held at Star Wars Celebration ’17. Since social gatherings are now few and far between in these days of COVID, I wanted to share it with you here, not only as a visual aid for my points in this essay, but also just for a vicarious dose (albeit virtual) of the con experience for which many are currently in withdrawal.
After watching, I had two (okay, three) reactions:

1) Man, the Mando costuming community is bloody Inclusive. There are folks of ALL ages, abilities, body types, and (I’m guessing, since they’re all helmeted) races, genders, and sexual orientations on display in that parade, all with their love of all things Klingon Mandalorian proudly on display. Good on them! With that said, though… Continue reading “Finding Your Place in the Galaxy”

Artifact ID: Greef Karga’s cup

Thus far I haven’t posted anything related to The Mandalorian, but this one was “all too easy”.
copper-india Too often, Star Wars prop collectors fixate on weapons, armor, and vehicles. But we—who are engaged in Star Wars living history—know there’s more to life in the Galaxy Far, Far Away than fighting: there’s also…DRINKING! Continue reading “Artifact ID: Greef Karga’s cup”

Boba Fett’s survival knife: Accuracy vs. Authenticity

bobaknifeSWVD
I’ve been thinking about this item a lot recently, as a possible easy project to bang out with the drill press and benchgrinder some weekend. We don’t have many references to non-vibro knives in the Star Wars galaxy, and its identification as a “survival” knife lends itself easily to my purposes of wilderness adventure and interpretation. With a beefy 5 or 6 mm spine, I can easily see it being perfect for batoning firewood and other tasks around camp (in GFFA style, of course).
The problem is, there are two versions of Boba Fett’s ‘survival knife’ out there – so which one is ‘right’? Continue reading “Boba Fett’s survival knife: Accuracy vs. Authenticity”