living history – Living History in the Star Wars Galaxy

Updating the Naboo partizan – Inner Persona

While the new-home renovations continue, I am still at least a month from having a functional crafting studio or workshop again, and so in the interest of avoiding a lull and having to overcome the inertia to resume publishing (and to get some pieces out of my drafts!), I thought this would be a good time to check in with the state of some of my galactic impressions. Links to each of these breakdowns will all be collected at the Personas and Impressions page ^above^!

Seeing as how I’ve continued to rework this impression in the years since its ‘first draft’, I want to show how things have progressed, and also serve as a benchmark for any changes I make in the future. Since Naboo pretty much drops off the galactic stage after about 18 BBY, this impression required a large amount of ‘frog DNA’ to extrapolate and create a complete kit from a specific time and place. However, as I hope will become clear, this method of taking the truth of my own life and ‘translating’ it to an in-universe context works very well for creating a fleshed-out but believable persona that stays within the bounds of the setting. (Numbers in [brackets] refer to reference sources in end notes.)

Naming:

‘Steen Olis’, in Naboo’s informal Futhork script

Turn your own life details into a believable galactic backstory!

Building the Inner Persona: pilot slang

Hello there and ‘May the Fourth be with you’! It’s been a while since we’ve had one of these ‘in-universe vocab’ entries, but in the course of my recent work on a pilot impression, I was reminded of this excellent set of terms, as found in The Essential Guide to Warfare, (p. 141):

3-9 line: A line across a fighter’s wings, based on an imaginary clock in which 12 is ahead of a fighter and 6 is behind. The goal of dogfighting is to keep bandits in front of one’s 3-9 line.

ACM: Aerial combat maneuvering, better known as dogfighting.

Bandit: A hostile fighter or starship.

Big L: Lightspeed.

Bingo: Having enough fuel for a safe return.

Bluelined: Disabled by an ion cannon blast.

keep reading for more terms to make you sound like a gffa stick jockey!

AgriCorps Jedi impression (2023) – hard kit

This month, I’m switching things up and making an effort to lay out my current complete kits for GFFA reenacting/living history. The clothes (soft kit) worn by a Jedi in the AgriCorps are only one part of that impression – what about field gear???

“What do the Jedi carry in their pockets? String, or nothing! In The Phantom Menace we see that the Jedi wear utility belts, and just as Batman always has the right tool for the job the Jedi would therefore carry anything the writer needed them to have in a particular story, up to and including space-shark repellent. … The Jedi would never be caught without a breather, a comlink, food capsules, etc.” (Dan Wallace, endnotes for The Jedi Path, #3 of 4)

The basic needs can be covered by a belt kit which holds the necessary tools, a canteen for hydration, and a satchel (M9A1) for a couple larger items.

What’s inside? I’m glad you asked!

keep reading for Jedi field gear EDC breakdown

AgriCorps Jedi impression (2023) – soft kit

Somehow, it’s been almost seven years since I first entertained the idea of doing first-person interpretive workshops in the Star Wars setting, and since then my various portrayals have evolved quite a lot! Although a reenacting kit is never ‘finished’—but I’m a perfectionist who likes to wait until something is complete before sharing (hence why I rarely share full-kit updates! – see the problem here?)—I want to try and lay out each of my ‘complete kits’ in their most up-to-date form, summarizing the background research and justifications for choices that I’ve made to create each impression. All of this is intended to serve as an example of what solid, research-based fictional living history looks like. Because they will inevitably get pushed down the blog’s front page, these posts will be collected at the new PERSONAS AND IMPRESSIONS page ^above^!

I want to start with the impression that first got me thinking about ‘doing Star Wars‘ in a reenacting/living history sense – a ‘washout Jedi’ member of the Agricultural Service Corps.

Diamonds in the Rough – the ‘Normandy Quarren’

Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month, we’re very fortunate to bring you a look inside the French organization Transfert à Ord Mantell. The group is made up of several traditional (historic) reenactors who have applied their skills at reenacting to the galactic setting. When the photoset from their recent Normandy beach shoot hit the interwebs last month, it made quite a splash, and I knew I just HAD to pick their brains and learn more!

While there was obviously a lot of high-standard work on display, as the majority were existing character types (Imperial officer, stormtroopers, mudtrooper, scout trooper, a lowly rebel technician) or a known character (Boba Fett), the one that really caught my eye was their original Quarren character design:

what is it that makes this design WORK so well?

Doing right by (fictional) History

In historic reenacting circles online, rarely do I see anyone say, ‘Thinking about starting on a Fallschirmjager kit. Show me some FJ impressions for inspiration!’. The best and most authentic ‘inspo’ is not other reenactors’ kits, it’s the primary sources themselves!: wartime photography or film, military manuals, soldiers’ diaries, etc.
Reenacting/living history in the Star Wars setting is no different – if you want to build an authentic impression of x, you don’t look for what others have done (that’s how reenactorisms get spread), you look at the media where that impression comes from – the film, TV, book, video game, or comic book.

If one takes a quick scroll-through of facebook’s largest general reenacting group, Living History~ show your impressions (currently 19,000+ members), a pattern quickly emerges:
“Roman auxiliary, Teutoberg, Germania, Autumn 9 CE”
“Loyalist rat catcher, Philadelphia summer of 1781”
“Confederate widow in mourning, Richmond Virginia, early 1865”
“LIFE Magazine photographer attached to C Troop, 82nd Armored Reconnaissance Battalion, 2nd Armored Division in Autumn 1944.”
“Cpl Bradshaw, Automatic Rifleman of Dog Company, 2nd Battalion, 5th Marines, 1st Provisional Marine Brigade, Pusan, Republic of Korea, August 3rd, 1950”

Galactic Style Guide – Comlinks

Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! This month, we’re taking a break from ‘soft kit’ to look at a piece of ‘hard kit’ that we would expect to see in the pocket, or on the wrist or belt of most galactic citizens in some form or another: we’re talking COMLINKS!
While comlinks are—like cellular phones—used to send and receive audio signals at long distances, unlike their Earth analogues, comlinks show a remarkable variety in their designs. Ignoring backpack-based comlinks, we’ll break our sample down into handheld and wrist-mounted comlinks.

The first comlink seen onscreen is the C1 model, made by SoroSuub and carried by Imperial stormtroopers (potentially this might also be what Leia uses at the bunker on Endor). If you’re portraying a character in a position to scavenge some Imperial gear, the C1 might be for you! For extra functionality, you can buy a C1-styled Bluetooth-enabled handset at the Galaxy’s Edge park ($60).

As we’ll see next, the propmakers of Episode I made a wide array of prototypes for the Jedi to carry before settling on kitbashing a womens’ razor for the Hush-98 (also made by SoroSuub):

Galactic Style Guide – Shirts III

Welcome back to the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more accurate ‘outer persona’! For this installment, we’re wrapping up a few upper-body stragglers which are both easy ways to add a little unconventional GFFA style to your own wardrobe.

**Center closure:** Dunlan, Astor (*The Ahakista Gambit*), Teesoo and Saya Ksi (Bounty Hunter’s Code); Biggs Darklighter (Dewback Attack-Hugh Fleming (*SW Insider* #35), Tag Rogaren (*From the Ruins of Alderaan*), colonist (FFG Far Horizons), Soontir Fel (*Rogue Squadron* #25)

Note that examples 1&2 both come from the planet Ahakista, and almost half of these use a right-over-left ‘womens’ closure!
For the reenactor with some basic sewing know-how, this is a very easy style to replicate. Because of Western fashion’s silly gender-specific closure rules, if you buy a button-down shirt of the opposite gender, you can flip-flop the front sides and get a closure without buttonholes on top. Then just add a strip of Velcro down both fronts. If you want Fel’s Mandarin collar style, it’s likewise easy to remove the fall from a shirt’s collar to leave the stand (this will still have a buttonhole at the top, however; you may be able to cannibalize the removed material to make a new, buttonhole-less stand).

you may already have our next example in your closet!

Galactic Style Guide – T-shirts and tank tops

Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more Galaxy-accurate ‘outer persona’! For this month’s installment, now that midsummer is here (for us in the Northern Hemisphere at least), I wanted to take a look at examples of T-shirts and other short-sleeved or sleeveless tops. What more can you say about them? On modern Earth these are among our most casual clothing, which puts them at odds with the galaxy’s overall space-fantasy aesthetic, but as we’ll see, they do occasionally show up in the EU as everyday clothing.

Short-sleeved T-shirts: Luke (Splinter of the Mind’s Eye), Dass Jennir (*Blue Harvest, Out of the Wilderness*), Aegis crewman*(Razor’s Edge), Dexter Jettster; NEGtAS Besalisk, Janks, Bandomeer prisoner (Dark Times #15), Duro in the big city (Langdon Foss), Ruusan lookout (Jedi Knight). Voren Na’al

Avoiding the Perils of Reenactorisms!

As I closed a previous ‘prop philosophy’ post last year I said, “If research and authenticity aren’t kept at the forefront, it is all too easy to fall into the pit of reenactorisms…” However, I realized that while I refer to the concept here from time to time, the term reenactorism may not be well-known to the average reader, so I wanted to use a post to explore what reenactorisms are, their pitfalls, and a few examples from the history of Star Wars.
So: what does the word mean? F.L. Watkins, writing in The Reenactor’s Encyclopedia (2004), describes reenactorisms as practices or items which are “incorrect and have no documentation but are commonly believed to be correct and are widely used”. In other words, it’s when one reenactor copies another reenactor’s mistake—acting under the assumption it is accurate—and thereby perpetuates an inaccuracy. Almost always this is the result of not doing one’s own quality research and assuming others have. A reenactorism is the Costumed Arts version of the ‘telephone’ game, where one person whispers a phrase to their neighbor, who whispers what they (mis)heard down the line, usually mutating the phrase with each iteration and becoming unrecognizable by the end. Whereas those playing the game could easily check if the phrase being passed down is correct by asking the speaker, ‘What did you say?’; in reenacting, we can prevent reenactorisms by asking for evidence or documentation.

For example…quick: what color is a standard Rebel Fleet Trooper’s helmet? If you said ‘White’, consider this: