NRAC: synthesis of kit design

“In the Outer Rim, what an individual wears is as much a calling card as a blaster pistol or an Imperial insignia. The clothes on a being’s back tell a tale as eloquent as any holonet drama. They speak of his priorities, how and where he works, his state and status in life, and the ways in which he wishes to present himself to the galaxy at large. -Armored plates sewn into clothing, gun belts loaded with firepower, and bandoliers slung across torsos are the hallmarks of bounty hunters and other guns for hire. Tool belts, bulging carryall bags, and coveralls smudged with machine fluids are the mark of a technician, and a flight suit sets a pilot apart in any crowd. Those who spend their time and make their living exploring and exploiting the vast empty places in the Rim are just as easily spotted. Well-worn clothes, battered packs, and goggles scratched by the dust of a thousand worlds tell of the many countless kilometers these hardy souls have traveled.” Fantasy Flight Games: Edge of the Empire – Enter the Unknown: page 44.

NRAC_sketch-thumb
Last week I laid out my research into space-archeologist gear/clothing and utilitarian clothing in the 20ABY period; this week I am showing my current ideas for the items of kit which will be assembled to depict such an impression.
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NRAC: research and insights

Creation of a functional New Republic Archeological Corps impression will be an exercise in extrapolation, as I have a limited amount of data to draw from. In this post I’ll lay out and unpack the sources I uncovered, and next week I’ll reveal a ‘character design’ I have synthesized from these sources, and my explanation for these choices.
EotE-EtU p6As the main body of Star Wars material for popular consumption generally (and stubbornly) revolves around a cast of high-level generals, politicians, pilots, soldiers, and warrior-monks, ‘occupational’ characters like archeologists are not to be easily found. As I have frequently found in my efforts documented here, when ‘common’ background details are scarce, one can usually turn to role-playing game materials to flesh things out, and this case is no exception.
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Thoughts on Disney Galaxy’s Edge Cast Costumes

Last week, images were released which revealed the costumes to be worn by ‘cast members’ at the forthcoming ‘Star Wars land’ attractions at Disney parks. I don’t actively follow post-Disney developments, but what I’ve gathered via geek-internet-osmosis is that these cast members will essentially be playing the role of NPCs (non-player characters) who visitors can interact with and who will provide in-universe ‘atmosphere’ for the public, plus manning restaurants (food+beverage) and vending?
While I’m not concerned with ‘NewCanon’, I have spent the last three+ years breaking down the conventions of Galaxy Far Far Away fashion and subtly integrating them into my civilian wardrobe…so when I heard that these Disney park costumes would be ‘everyday’ clothing, I had to see how they lined up with my observations.
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Image Analysis: Garqi Agricultural Academy

(image originally published in WotC’s Geonosis and the Outer Rim Worlds (2004), artwork by Langdon Foss.)

This image is a great ‘slice of life’ for children on an agricultural backwater—sort of a Star Wars Norman Rockwell scene: who hasn’t been a youngling ‘flying’ toy spaceships around while making PEW-PEW sounds? But what’s more important is how especially valuable this image is for the rare look it gives us at GFFA commoners’ fashion. Here are a few pertinent tidbits I’ve teased out:
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Revisiting the winter hat

(Apologies for my delay in postings of late…with winter holidays arrived I now have a few weeks’ reprieve from school-matters, which I intend to use to finish up some posts and projects for this site).

Last winter, as I reskinned my Swedish milsurp hat, I was left with a few quibbles. (I find it’s helpful to write down these thoughts for just this very reason, so that I know what needs tweaking should I decide to revisit the project down the road):

“Were I to undertake this project again, I would’ve done a few things differently:
-using a heavier khaki material–like the plentiful scraps I had leftover from my donut helmet (uncovered only after I had finished this project!)
-only using two layers of wool for the flaps, instead of three.
-better copying the shape of the curvy panels that are added to the flaps.
-making the rear ribbed panel shorter (to better match the original artwork), while extending the neck coverage and shortening up the flaps a bit.”

As the weather has been getting cooler, I’ve been having to wear my flap hat more often, and as I’ve also been integrating more and more Star Wars style into my daily wardrobe, I finally felt that the vaguely-close-enough-ness of my hat just wasn’t accurate (or hardcore) enough.
And so, after pondering on what would be involved, I decided to go ahead and tackle the Pfilbee Jhorn Hat, Mark II.PfilbeeJhorn1

^ The look we’re going for^

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Project: Modding a Jacket

wools-beforeafter
In my continuing quest to subtly apply a Star Wars commoner’s aesthetic to my everyday wardrobe, I consistently make at least a weekly pass through my local secondhand shop to look for garments which have GFFA modification potential. As someone who also puts a lot of focus on having a wardrobe that not only looks good but also is practical for outdoor use (i.e. I try to avoid slow-drying cotton and melty synthetics as much as possible) I have been searching for a good Star Wars-y jacket that looks the part but isn’t plain unlined cotton or light linen.

Thankfully, I’ve had some good hunting of late; so when a fine 100% wool ladies’ blazer ($6) made by PENDLETON came up the other day, I quickly snatched it up with an eye for modification.
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Ode to the Side-Release Buckle

 

 

While I currently have several projects on the proverbial back burner–waiting on, among other things, a modeler, a printer, and a blacksmith–I am doing my best to keep the blog from lapsing into content-hiatus. This week, I offer a simple collection of images, centered around the humble side-release buckle. This piece of costume hardware was apparently commonplace throughout the Galaxy, and so would be an appropriate item to include in one’s GFFA kit.
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Project: modding the Naboo winter shirt

(My apologies for the unintentional hiatus, dear readers. Back-to-school is a hectic time, but as I get back into the swing of things, I am able to get back to work on projects and keeping up the blog.)

silk_beforeafter

Between the cooler temperatures, low humidity, and new-fallen leaves (ideal for making debris shelters and leaf mattresses), it’s no surprise that autumn is the go-to season for most reenactors.
Even though the events that are most welcoming for a Star Wars ‘living historian’—sci-fi cons and the like—are traditionally held in air-conditioned hotels in summer, there is no reason why you should limit yourself to such controlled indoor events! I believe that if this particular hobby is to (one day ) be taken seriously by the larger Historic reenacting community, we should be as equipped as they are to deal with weather of all seasons, and not be afraid to get Out of the convention center!
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Building the Rebel persona – 4.1: Naboo soft kit

Based on the broad trends noted in the previous post, I decided that my Naboo civilian impression would need (at minimum) a tunic, trousers, and tall boots, and possibly an outer layer as well.
shirt
The tunic would need to follow local style, and so be in a muted color, have an overlapping and/or asymmetrical closure, a high Mandarin collar, and long sleeves, probably without cuffs.
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Searching for civilian style on Naboo

When I first started toying with the idea of portraying a Rebel ‘partisan’, I knew I wanted to integrate elements of the local planetary fashion, but also include enough elements of the larger galactic style so that the impression would still be recognizably Star Wars.
Finding the right ratio between the two would be the real trick, since a) Naboo’s nobles in the late Republic period tended to dress in an impractical, distinct Renaissance style, b) we don’t really know what Naboo fashion was like during the Imperial period, and as I’ve written before, it’s hard to be taken seriously as a guerilla fighter when you’re dressed like Catherine de Medici. If I wanted to pull this off, I was going to have to do some detective work.
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