Welcome back to the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’ for your denizen or OC! In this month’s ‘GSG Counterpoint’ entry, we’re looking at an element of visual character design that tends to fall by the wayside when we think about the foundations of galactic style. While the vast majority of characters in the Original Trilogy wear clothing made of solid-color material, there are a few rare places where patterned fabrics are used. As we’ll see, the Prequels introduce a statistically higher number of examples, though they are still the minority. The highest-quality post-Disney title includes several, but in a very specific context! Note that in this entry, we are primarily dealing with ‘prints’, as opposed to textured fabrics (in which the apparent pattern is caused by the actual dimensional quality of the fabric itself).
In all three films of the OT, I think we can count the number of characters wearing (non-camouflage) patterned clothing on one hand. The first is pre-skeleton Beru Lars, whose innermost layer (of three!) is a collared shirt with a repeated design in a square pattern:
Next up, one of the patrons at the Mos Eisley Cantina sports a long tunic with a surprising pattern – but you’d never know it from onscreen:
It may certainly have been a while since I had a new kit built to break down, but I think I finally picked a real winner with this one! As I mentioned recently, I’d apparently been toying with the idea of assembling a proper Rebel Alliance Pilot kit for a while now: at the end of last April it was an idle fancy, by May, I was highly considering it, and by the end of June I had actively started pricing and sourcing the components!
When I was first entertaining the idea, I experienced a funny, unfamiliar feeling. I’ve become SO used to having to doactual research/work—decide on a home planet, find references to extrapolate the local style, draft patterns, create garments, etc.—for my typical ‘Original Character’ impression/persona that an Alliance pilot (made up of specific elements without much room for customization) feels like just a series of boxes to check off. However, I figured I had already acquired three of the biggest elements (flightsuit, boots, and vest) over the years for use in other kits (because they’re no-nonsense, commonly-seen-in-universe pieces that naturally lend themselves to mix-and-matching!), so why not take the next step and create a kit that would actually be recognizable to John Q Public with minimal explanation? Plus, since opportunities for doing SW living history continue to be pretty much non-existent in my sector, a pilot outfit might actually finally allow me to join up with the Rebel Legion – because none of my previous kits1 quite jive with their current model!
Usually, whenever I see someone online who has put together a ‘custom pilot’ costume, it’s been prefaced by some variation of “I put my own spin on it!” and leans more on the OC’s go-to “wouldn’t it be cool if ___?”…. and thus the final result rarely ‘reads’ as “pilot”. As should be clear by now, I have a really hard time going along with the crowd; however, as I hope I’ve also made clear, I believe a valid ‘middle way’ exists between the two extremes of the dogmatic “on-screen assemblages only!” Legion, and more casual, “anything goes, let your imagination run wild!”-type cosplay. I don’t know how many hundred OT-era pilot cosplayers there are out there (easily 95% of these are X-wings), but I’ve yet to see one that didn’t follow these same old onscreen combinations of flightsuit color and helmet style:
As someone really interested in the early Rebellion period, I think switching things up to be a little less uniform helps underline the ‘ragtag’ nature of the Alliance. I’m sure there had to be pilots who joined up and brought their own personal flightsuits with them – I definitely remember some climate ‘direct actions’ where we street medics were literally told, “Sorry we don’t have any supplies for you, you’ll have to requisition your own or use what you have” and can easily imagine similar situations in the pilots’ ranks. Obviously, I can’t resist pushing the boundaries of OT-era pilot style at least a little bit, but I’m not going to go so far outside the bounds that I no longer look like an OT-era pilot! (Now there’s a nice summary of the ‘middle way’ approach for you: do your research, push the boundaries, but stay within the guardrails!) Luckily for me, I don’t have to feel like I’m sticking my neck out too far because an often-overlooked EU source did it first!
Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re returning to our examination of in-universe backpacks, this time focusing on some less rigid examples, encompassing not just backpacks but also things like satchels and bedrolls. As we said last month, this kind of unassuming and field-functional gear is woefully underrepresented among the GFFA costuming community (who tend to go for eye-catching and…less-than-functional). This is too bad, because a good pack can really elevate an impression and make it feel like a living, breathing kit and not just a costume: it shows the viewer “I am a real individual with needs beyond what I carry on my belt or in my pockets.” Let’s dive in and get some ideas!
The softpack that gets the most screentime in the Lucas films is probably the one Luke totes Yoda around in during his Jedi training. As far as I know, nobody has yet identified it as a milsurp piece (though the buckles might be?) so it may have been made in-house for Episode V. If anyone has any details on it, please share them below in the comments!
Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month we’re looking at Scott Bowen’s excellent original Rodian character, ‘Bossome Scow’:
As you might imagine, Scott’s initial inspiration for this character design was the ur-Rodian example, GREEDO! His goal had a challenge embedded, however: not only to create an original Rodian character, but also to try and stick to Greedo’s iconic orange/teal/yellow colorscheme. As we will see, he definitely succeeds!
Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month we’re talking with Sean S., who portrays the Rodian pirate, ‘Xetrax’:
Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ to help you create a more authentic ‘outer persona’! As I promised last month, this entry is devoted to examples of in-universe jackets drawn from the various sources of the Expanded Universe and ancillary materials. Let’s get started with the two jacket-wearers seen in the New Essential Guide to Alien Species:
Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and addressing commonly-made costuming faux pas. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
Since the earliest designs of Star Wars ’77, one of the main signifiers of GFFA fashion is the absence of visible fasteners—as chief costume designer John Mollo said, “George didn’t want any fastenings to show, he didn’t want to see buttons, he didn’t want to see zips, so we used stuff like Velcro, and things were just wrapped over and tied with a belt…” – The Making of Star Wars (J.W. Rinzler), p. 125. Since this is one of the chief ‘rules’ of Star Wars fashion and comes straight from the top, something like 98% of the outfits seen onscreen abide by this rule. When visible fastenings do show up on screen, eagle-eyed costume-minded folks (or those who really want to cut corners) tend to make a big deal of it….although they really shouldn’t.
buttons onscreen in OT and PT: Pons Limbic, Figrin D’an (and the rest of the Modal Nodes), Rebel honor guard, Yavin ceremony backgrounders, Tian Chyler, Jango Fett, Elan Sleazebaggano
Welcome back to another installment of the Galactic Style Guide, where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! While the Style Guide has traditionally been concerned with topics of clothing and personal adornment, one’s outer persona can also include GEAR. Well, summer has arrived and after spending half of last year in a tent with my wife on the Appalachian Trail, I had two questions on my mind: 1) what kinds of shelters might adventurers in the Galaxy Far, Far Away use to protect themselves from the elements? And 2) are there any tents readily available in 2022 that might approximate these galactic styles? The answer may surprise you! While this topic might not be much use to readers planning a visit to the Galactic Starcruiser or their local fan convention, it’s important to remember that ‘doing (in the reenacting/living history sense) Star Wars‘ can (and probably should) take more authentic forms, and that if you want to venture into the outlands or create an in-universe encampment—like say, for an upcoming GFFA airsoft event?—having a good shelter can really come in handy.
While tents seen in earlier Star Wars materials (or only described in text) tend towards the unrealistic (at least by current capabilities)*, many shelters from visual media are actually fairly mundane, which is great for those wishing to create a reenacting encampment, or undertake an in-universe backpacking trip! *for a perfect example of this, see Mace Windu’s “wallet tent” in the novel Shatterpoint, which packed down to the size of a pocket yet could automatically unfold into a two-person shelter
Welcome to the first entry in our ‘Galactic Style Guide counterpoint’ subseries! Where the GSG could be summed up as ‘how to look Star Warsy’, these alternate posts are meant to highlight and remedy common mistakes that can make an outfit look NotStar Warsy! From the very beginning, the world of Star Wars has always had a very specific visual style. Unlike the matinee serials it was inspired by (in which heroes wore shiny, silver bodysuits and enemies wore bright gold and scarlet robes), the Galaxy Far Far Away was much more grounded in its visuals. While characters might fly starships across the galaxy and duel with swords made of pure energy, they didn’t dress futuristic. Chief costume designer John Mollo’s mix-and-matching of real world historical styles (Russian/Japanese peasantry, American cowboys, medieval gowns, World Wars military uniforms, etc) for inspiration provided the solid and believable foundation from which the series’ visuals would evolve. As part of this grounded approach, most characters tend to wear costumes in a very specific range of colors:
“The color scheme basically was the baddies would be black or gray, with the exception of the stormtroopers, and the goodies should be in earth colors—fawns and whites… Mollo tried to keep the colors muted wherever possible. Color is very, very difficult to use. Bright colors don’t work well on film, particularly reds and blues. George always goes for the authentic….and if it’s all garish color, it doesn’t work.” (Brandon Alinger. Star Wars Costumes – the Original Trilogy, 2014. p 15.)
This rule does not mean, however, that your outer persona need be limited to earth tones and shades of gray – as we saw a few weeks ago, there are tons of examples of characters wearing every color of the rainbow (especially in the pre-Imperial period)! However, if you noticed, almost all of them had something in common. As we read above, the main rule for creating authentic in-universe clothing is simple:Avoid. Garish. Color.: thus, if a garment is a fully-saturated hue, it is much less likely to ‘read’ as being authentic to the Star Wars setting. Let’s take a look at what I mean.
In Episode I, Anakin Skywalker wins the Boonta Eve Classic podrace, which we’ve discussed before. Following the race, he and Qui-Gon sell his podracer, go home to mom, and Ani exclaims, “look at all the money we have!” Here’s the thing – the money Anakin hands her appears to be a stack of Republic credits.
On his way out of town (in a deleted scene), he also gives his old friend Jira her own stack of Republic credits:
Living History in the Star Wars Galaxy 