Galactic Style Guide – Backpacks II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re returning to our examination of in-universe backpacks, this time focusing on some less rigid examples, encompassing not just backpacks but also things like satchels and bedrolls.
As we said last month, this kind of unassuming and field-functional gear is woefully underrepresented among the GFFA costuming community (who tend to go for eye-catching and…less-than-functional). This is too bad, because a good pack can really elevate an impression and make it feel like a living, breathing kit and not just a costume: it shows the viewer “I am a real individual with needs beyond what I carry on my belt or in my pockets.”
Let’s dive in and get some ideas!

The softpack that gets the most screentime in the Lucas films is probably the one Luke totes Yoda around in during his Jedi training. As far as I know, nobody has yet identified it as a milsurp piece (though the buckles might be?) so it may have been made in-house for Episode V. If anyone has any details on it, please share them below in the comments!

keep reading for more in-universe backpack inspo

Galactic Style Guide – Backpacks I

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! This topic has been requested by several folks, so it’s been a long time coming. In this entry, we’re taking a look at an oft-overlooked category of gear, which can really elevate an impression and make it feel like a living, breathing kit. We’re talking about backpacks! Due to the sample size, I’ve decided to break this into two parts – one for ‘hard’ backpacks, and one (next month!) for softer packs.

Let’s go chronologically and kick things off with this paired bedroll-backpack from the old, Old Republic (Tales of the Jedi: Redemption #3). As usual, the cover art is far more evocative than the actual panels, but I include it here as the pack itself seems to be fairly structured:

I’m sure there have to be other pre-Prequel-era examples, but I haven’t found them! If you know of any, please let me know below! Next, let’s move on to some liveaction hard packs.

Continue reading

Diamonds in the Rough – Keith Olsen

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month’s entry comes from Keith Olsen, who has done his research to put together an excellent impression of a generic ‘Pyke Syndicate’ soldier.

As you can see, this build was initially inspired by the appearance of the Pykes as seen on ‘The Book of Boba Fett‘ (though as I’ll discuss in a bit, an animated-style Pyke would look quite different!), and as such is based at around 5 ABY.

Keith did a lot of old-school costume replication legwork – unless something goes on display for an exhibit, this typically involves very carefully scrutinizing screenshots – to determine the materials and types of clothing that could be bought off the shelf for this outfit.
Let’s examine the elements one by one!

keep reading for the full breakdown and details

Galactic Style Guide – Ponchos II

Welcome back to another installment of the Galactic Style Guide, the bimonthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at ponchos, focusing on examples from the prequel era! (As a reminder: for our purposes, we’re defining a poncho as a garment worn as an outer layer for protection from the elements, which covers the front of the body).
Let’s keep things rolling with the poncho I think I would most want to curl up in:

Qui-Gon wears this poncho when venturing into Mos Espa in Episode I—the script specifying that he is “dressed as a moisture farmer”. Trisha Biggar notes that the coarse-weave is a silk/linen mix and that the border is “printed”—though I’m not sure what exactly that means (Dressing A Galaxy, p20).

Take a good look at that beautiful nubby texture!
keep reading for many more examples

AgriCorps Jedi impression (2023) – hard kit

This month, I’m switching things up and making an effort to lay out my current complete kits for GFFA reenacting/living history. The clothes (soft kit) worn by a Jedi in the AgriCorps are only one part of that impression – what about field gear???

“What do the Jedi carry in their pockets? String, or nothing! In The Phantom Menace we see that the Jedi wear utility belts, and just as Batman always has the right tool for the job the Jedi would therefore carry anything the writer needed them to have in a particular story, up to and including space-shark repellent. … The Jedi would never be caught without a breather, a comlink, food capsules, etc.” (Dan Wallace, endnotes for The Jedi Path, #3 of 4)

The basic needs can be covered by a belt kit which holds the necessary tools, a canteen for hydration, and a satchel (M9A1) for a couple larger items.

What’s inside? I’m glad you asked!

keep reading for Jedi field gear EDC breakdown

Galactic Style Guide – Colored Lenses & Visors

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common costuming faux pas that can make an outfit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
In past entries, we’ve looked at things that aren’t really part of the typical ‘galactic aesthetic’: bright colors, visible fasteners, overly-designed patchwork clothing, etc. This month, we’re going to focus on an element of character design which is present in the visual record, but which has a very specific pattern of usage and which is far overrepresented in the fan-costuming community.

Good reenacting—fictional or historical—typically deals less with the elites of a given culture/period/setting, and more with accurately representing the experience of its common people. Since the current paradigm of Star Wars ‘Original Character’ costuming seems to entirely revolve around 3D printing, armor, and helmets, if you want to create an armored or helmeted ‘OC’ that will faithfully represent a typical galactic inhabitant, then listen up and read on!

There’s one easy way to tell at a glance if an armored Star Wars character is somehow SPECIAL: just look at their helmet! If the lenses or visor are anything other than plain black*, you can bet money that they’re some sort of elite. Some examples from the good old EU:

Shae Visla (Mandalore the Avenger!), Utapau shadow scouts/Clone shadow trooper, clone commandos, Commander Gree and 41st scout trooper (Episode III), shadow trooper, shadow EVO trooper, and Emperor’s Shadow Guard (The Force Unleashed)

Notice anything?

Keep reading for recent post-disney examples, and analysis!

Diamonds in the Rough – Mandalorian foundling

Welcome back to our monthly spotlight series, where we discuss Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month’s entry is actually a bit of a carry-over from last month, because while building his own Mandalorian ‘Kryos’ kit, T.H. also created a simple but highly-effective outfit for his own youngling at home:

Less is more!

Drawing on history

Back in 2015, a museum exhibit in Belarus showed off a set of reconstructed costumes from early medieval (8th-12th centuries CE) Baltic cultures. Shortly afterwards, the outfits began making the rounds online, eventually getting shared to a Middle-earth reenactment group I’m a part of. We all thought they were very impressive: inspiring examples of what culturally-cohesive outfits can look like. Then, a year or two ago, I saw the exact same pictures again—but this time in a Batuu-bounding group on facebook! There, they were prefaced with a message like, “check these out – wouldn’t these make great bounding outfits?!”


While they are still great outfits, as-is, I had to disagree with the idea that they would be appropriate for GFFA use. As Doug Chiang pointed out in a recent interview, the thing that makes Star Wars feel so authentic as a setting is the eclectic use of mix-and-matched historical inspirations* (thanks largely to John Mollo’s foundational designs)not merely using unmodified, straight-up historical ensembles! [As it’s pure gold, I’ve included Doug’s full quote at the end of this post, so keep reading.]
However, I could definitely see the appeal, especially in the outfits’ silhouettes, and challenged myself to apply a GFFA lens to the Baltic costumes and see if I couldn’t bring them nearer to the Star Wars aesthetic. I challenge you to try the same thing with other historical styles you may be inspired to use in your own outfit!

Let’s start with the red kit first. My main method used was to try and find an in-universe equivalent to each item:

Continue reading “Drawing on history”

Galactic Style Guide – Footwear II

Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at the great variety of galactic footwear seen in live-action sources.
If you’re not able to acquire taller boots but still want to get a Star Warsy silhouette, our first two categories are great options!

Puttees/leg wraps/winningas: Luke Skywalker (0 BBY), ‘Galen Erso’, unidentified Warrick Davis character (Episode I), Anakin Skywalker, Wald (32 BBY), Owen Lars (19 BBY), Padme Naberrie (?)
many more examples below (some you may have in your closet right now!)

Diamonds in the Rough – the ‘Normandy Quarren’

Welcome back to our monthly spotlight series! In this feature, I interview Star Wars costumers who have ‘gone the distance’ and put in the effort to create solid, in-universe outfits or personas. This month, we’re very fortunate to bring you a look inside the French organization Transfert à Ord Mantell. The group is made up of several traditional (historic) reenactors who have applied their skills at reenacting to the galactic setting. When the photoset from their recent Normandy beach shoot hit the interwebs last month, it made quite a splash, and I knew I just HAD to pick their brains and learn more!

While there was obviously a lot of high-standard work on display, as the majority were existing character types (Imperial officer, stormtroopers, mudtrooper, scout trooper, a lowly rebel technician) or a known character (Boba Fett), the one that really caught my eye was their original Quarren character design:

what is it that makes this design WORK so well?