commentary – Living History in the Star Wars Galaxy

Galactic Style Guide – the Post-Disney era (part 2)

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’!
Like last time, this entry is a bit of a departure from our usual collection of references. This time we’re continuing to focus on elements which I’ve identified as either clear deviations from what existed in the Lucas days, or which originated firmly in the post-Disney era. Let’s keep it moving with #6!

When it comes to soft kit, after perusing the various Visual Dictionaries one trend I noticed started appearing with the Sequels and subsequently latched onto by fan-makers is that of little discrete loops (instead of pockets) being used to hold various doodads on clothing – your code cylinders, ‘mini flares’, blaster ammo, etc.:

What I really want to know is why everyone in the new continuity seems to need so many of these little silver things anyway? In the OT, we’d see Rebel pilots and technicians with small ones on their belts, and big ones kept below the knee (Reb pilots and Bossk seemed to be just about it). But in the Disney era, they’re all over the place! In short, I think they’re a symptom of the new era costumings’ general reliance on overdesign, versus good design, which in the case of the Star Wars setting, usually boils down to Less is More. You don’t need to have every single visible surface sporting some sort of detail – it’s OKAY for costumes to have ‘blank space’! This is especially true in our crispy 4k UHD+ present, when it is all too easy for an overdesigned outfit to leave the viewers’ eyes overwhelmed.

Keep reading for more observed abberations!

Why don’t we have a starfighter mobile game yet?

While this post is perhaps outside the scope of this blog’s usual meat&potatoes of galactic reenacting research and costume crafting, I still think it’s a worthwhile concept that I think many of you will appreciate, and which I hope gains traction! I trust that my aviation historian readers will note the date: 7 September, 1940 marked the beginning of nighttime bombing of London that became known as the Blitz.

As part of ‘inner persona’ “research” for the pilot impression I’ve been working on, I’m always looking for ways to gain insight into the flyboy life. I can only rewatch Top Gun, or Maverick‘s trench run so many times, and while some of Dan Hampton’s books were decent overviews, they’re largely lacking the level of detail I crave. At the same time (whether a cause or byproduct of the pilot project, I’m not sure), I’ve been on a bit of a Second World War kick lately and was curious if there are any good WW2 pilot-based mobile games to play on my lunch break. Luckily, I managed to find one that I think is pretty much perfect, and it got me thinking…

a fun game recommendation and a great idea, after the jump

Galactic Style Guide – the Post-Disney era (part 1)

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’!
And now, for something completely different. If you’ve been following this site, you may have noticed that the majority of my references come from live-action sources of the Lucas era. However, as we inexorably continue further from the boundary between that period and the current one, it becomes clear that not only did this modern era come with a new continuity, but a noticeable shift in visual aesthetics as well, and I want to explore elements of this shift as they relate to our pursuits here (recreating the Star Wars galaxy in ‘reenacting’ form!). In this post (and at least one more!), we’re looking specifically at some elements which I (coming from a relatively outside perspective) have identified as either clear deviations from what existed before, or which originate firmly in the post-Disney era. You’ll see what I mean.
I’m not doing this ‘countdown’ style, but when it comes to something we got along without perfectly fine and was unequivocally not present in the pre-Disney days, #1 at the top of the list has to be the presence of the tempering rainbow on the muzzles, emitters, or tips of blasters, lightsabers, or tools:

I read somewhere that all the Remnant TKs in *Mandalorian* also feature this, but the scenes are so dark it’s hard to tell.

Keep reading for more observed abberations!

Coming soon: a new way to exercise your ‘Star Wars eye’

Whenever I go to the thrift store, I usually cruise the racks on the lookout for certain materials—chiefly linen, wool, and silk—to be cannibalized into items for my various reenacting kits. After years and years of doing this, I can often identify a piece’s fiber content just by walking or thumbing past it, with no need to check the tag. When I go thrift-shopping with my wife, she will often remark and wonder on how I’m able to do this, and the answer is simple: trial and error, reinforced by years of practice. It’s a kind of exercise, and I’ve simply trained my ‘fabric eye’ to recognize one cloth from another.

(This is the same type of practiced skillset that allows me to go into the woods with the Middle-earth Reenactment Society and confidently pick a stalk of nettle or milkweed out of a thicket of other dead, gray plant stalks when we’re in need of some wild cordage on a trek).

What does this have to do with star wars, you ask?

Doing right by (fictional) History

In historic reenacting circles online, rarely do I see anyone say, ‘Thinking about starting on a Fallschirmjager kit. Show me some FJ impressions for inspiration!’. The best and most authentic ‘inspo’ is not other reenactors’ kits, it’s the primary sources themselves!: wartime photography or film, military manuals, soldiers’ diaries, etc.
Reenacting/living history in the Star Wars setting is no different – if you want to build an authentic impression of x, you don’t look for what others have done (that’s how reenactorisms get spread), you look at the media where that impression comes from – the film, TV, book, video game, or comic book.

If one takes a quick scroll-through of facebook’s largest general reenacting group, Living History~ show your impressions (currently 19,000+ members), a pattern quickly emerges:
“Roman auxiliary, Teutoberg, Germania, Autumn 9 CE”
“Loyalist rat catcher, Philadelphia summer of 1781”
“Confederate widow in mourning, Richmond Virginia, early 1865”
“LIFE Magazine photographer attached to C Troop, 82nd Armored Reconnaissance Battalion, 2nd Armored Division in Autumn 1944.”
“Cpl Bradshaw, Automatic Rifleman of Dog Company, 2nd Battalion, 5th Marines, 1st Provisional Marine Brigade, Pusan, Republic of Korea, August 3rd, 1950”

Guest Post: Is a blaster right for you?

[This submitted post comes from ‘Kantis Nolef’ of the SWLH facebook community.]

“Hokey religions and ancient weapons are no match for a good blaster at your side, kid.” – Han Solo, Episode IV.

When most people start thinking of props and accessories, they tend to think of blasters first. Blasters in the Star Wars universe seem to be as common cell phones in ours, and with myriad shapes and sizes, there’s something for every species. But does your character need one? Sure, if you’re in the Outer Rim on an inhospitable planet, it’s a matter of survival…but what if you’re not? Would it be necessary for a musician on Corellia to have a rifle slung across their back? Does a cook on Sullust need a pair of Westars?

Whichever career path you choose, I can’t stop you from arming yourself. That being said, I hope I can help you get the best blaster for your persona.

Avoiding the Perils of Reenactorisms!

As I closed a previous ‘prop philosophy’ post last year I said, “If research and authenticity aren’t kept at the forefront, it is all too easy to fall into the pit of reenactorisms…” However, I realized that while I refer to the concept here from time to time, the term reenactorism may not be well-known to the average reader, so I wanted to use a post to explore what reenactorisms are, their pitfalls, and a few examples from the history of Star Wars.
So: what does the word mean? F.L. Watkins, writing in The Reenactor’s Encyclopedia (2004), describes reenactorisms as practices or items which are “incorrect and have no documentation but are commonly believed to be correct and are widely used”. In other words, it’s when one reenactor copies another reenactor’s mistake—acting under the assumption it is accurate—and thereby perpetuates an inaccuracy. Almost always this is the result of not doing one’s own quality research and assuming others have. A reenactorism is the Costumed Arts version of the ‘telephone’ game, where one person whispers a phrase to their neighbor, who whispers what they (mis)heard down the line, usually mutating the phrase with each iteration and becoming unrecognizable by the end. Whereas those playing the game could easily check if the phrase being passed down is correct by asking the speaker, ‘What did you say?’; in reenacting, we can prevent reenactorisms by asking for evidence or documentation.

For example…quick: what color is a standard Rebel Fleet Trooper’s helmet? If you said ‘White’, consider this:

Improve your Mandalorian cosplay with one easy trick!

Familiarity breeds contempt as they say, and once I notice a trend, it starts to bug me and becomes hard to unsee. Each week, I see scores of ‘Custom Mandalorian’ costumes, and like the diehard Disney fans who hide an obligatory ‘hidden Mickey’ in their props, whenever I see a Mando come across my feed, I like to guess how quickly this standard cockeyed, off-kilter, cracked-skull Mythosaur will show up: “Is it hiding in the first photo? Second photo? Third photo?”

A kit which turns out to be sans mythosaur, on the other hand, is always a pleasant, refreshing surprise! (One of the things I really appreciated in The Mandalorian was that—so far as I can tell—none of the non-Boba Fett character designs included this stock symbol.)

On the subject of bounty hunting ‘trophies’

As I’ve talked about a few times before, when reenacting any setting (historic or fictional) one of the best ways to add depth to an impression is by including small details or items of ‘pocket trash’! One of the ideas I frequently see discussed in online Star Wars cosplay circles is the idea of ‘hunting trophies’, and a recent thread made me realize I definitely have some thoughts on the subject!

Whether it’s bones and claws from critters, crystals from Jedi lightsabers, battle droid fingers, or actual lightsabers, the notion that a bounty hunter or mercenary character should have a collection of tchotchkes taken from past kills dangling from their belt, blaster, or backpack is one of those trends that the costuming community has really latched onto. However, I submit that this type of decoration is A) actually an impediment to such work, and B) a fan reenactorism not seen in either primary or secondary sources. Be sure to stick around til the end for some ideas on how to more authentically portray these kinds of character in true ‘living history’ style!

Thoughts on ‘The Rescue’

Aaaand just like that, I think I’m done. Erm, I meant…Welcome back to my commentary series on Season 2 of The Mandalorian; for this installment we’re breaking down the Season 2 finale, Chapter 16 ‘ The Rescue’.

We open with Slave 1 chasing a Lambda-class shuttle, and wasn’t it nice to hear those high-pitched lasers again? We see the inside of the shuttle, and it was amazing how much more open the cockpit feels versus what we saw in Episode VI—is it something to do with being widescreen, depth of field, or is the set here just twice as big? It just feels like we’re seeing two totally different ships to me.