Clone Wars – Living History in the Star Wars Galaxy

Galactic Style Guide – Binoculars

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! It’s been a while since we’ve looked at any in-universe hardware, but in this installment, we’re digging deep into a specific type of gear used in the field across the galaxy: space binoculars!
A good set of binocs (whether macro- or electro-) are a great accessory to help add depth to an appropriate character impression, filling in for the collapsible brass telescope or ‘field glasses’ frequently carried by characters in various SW-influencing historical genres – whether that be swashbuckling pirates, Old West cowboys, or World War soldiers.
Let’s get started with our ur-example: the Lydree MB450 macrobinoculars carried by Luke back in SW’77:

keep reading to see TONS more examples!

Why don’t we have a starfighter mobile game yet?

While this post is perhaps outside the scope of this blog’s usual meat&potatoes of galactic reenacting research and costume crafting, I still think it’s a worthwhile concept that I think many of you will appreciate, and which I hope gains traction! I trust that my aviation historian readers will note the date: 7 September, 1940 marked the beginning of nighttime bombing of London that became known as the Blitz.

As part of ‘inner persona’ “research” for the pilot impression I’ve been working on, I’m always looking for ways to gain insight into the flyboy life. I can only rewatch Top Gun, or Maverick‘s trench run so many times, and while some of Dan Hampton’s books were decent overviews, they’re largely lacking the level of detail I crave. At the same time (whether a cause or byproduct of the pilot project, I’m not sure), I’ve been on a bit of a Second World War kick lately and was curious if there are any good WW2 pilot-based mobile games to play on my lunch break. Luckily, I managed to find one that I think is pretty much perfect, and it got me thinking…

a fun game recommendation and a great idea, after the jump

Galactic Style Guide – Colored Lenses & Visors

Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and remedying common costuming faux pas that can make an outfit look Not Star Warsy. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
In past entries, we’ve looked at things that aren’t really part of the typical ‘galactic aesthetic’: bright colors, visible fasteners, overly-designed patchwork clothing, etc. This month, we’re going to focus on an element of character design which is present in the visual record, but which has a very specific pattern of usage and which is far overrepresented in the fan-costuming community.

Good reenacting—fictional or historical—typically deals less with the elites of a given culture/period/setting, and more with accurately representing the experience of its common people. Since the current paradigm of Star Wars ‘Original Character’ costuming seems to entirely revolve around 3D printing, armor, and helmets, if you want to create an armored or helmeted ‘OC’ that will faithfully represent a typical galactic inhabitant, then listen up and read on!

There’s one easy way to tell at a glance if an armored Star Wars character is somehow SPECIAL: just look at their helmet! If the lenses or visor are anything other than plain black*, you can bet money that they’re some sort of elite. Some examples from the good old EU:

Shae Visla (**Mandalore** the Avenger!), Utapau shadow scouts/Clone shadow trooper, clone commandos, **Commander** Gree and 41st scout trooper (*Episode III*), shadow trooper, shadow EVO trooper, and Emperor’s Shadow Guard (*The Force Unleashed*)

Notice anything?

Keep reading for recent post-disney examples, and analysis!

Galactic Style Guide – Footwear II

Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! In this entry, we’re continuing our look at the great variety of galactic footwear seen in live-action sources.
If you’re not able to acquire taller boots but still want to get a Star Warsy silhouette, our first two categories are great options!

**Puttees/leg wraps/winningas:** Luke Skywalker (0 BBY), ‘Galen Erso’, unidentified Warrick Davis character (Episode I), Anakin Skywalker, Wald (32 BBY), Owen Lars (19 BBY), Padme Naberrie (?)

many more examples below (some you may have in your closet right now!)

Galactic Style Guide – Footwear I

Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ in order to help you create a more authentic ‘outer persona’! It’s taken us a few years to get here, but in this entry, we’re finally taking a look at the one element a good costume literally stands upon – shoes! There’s a lot to unpack here, so our first two entries will look at live-action sources, and the third will cover visual examples from EU sources.

I’ve done my best to break these down by category, but my research library is far from exhaustive!; these are mostly drawn from the Complete Visual Dictionary (DK) and Alinger’s SWCOT. (Even if I could afford a copy, Trisha Biggar’s Dressing a Galaxy is not as useful for those of us interested in ‘common’ galactic folk…plus, the prevalence of characters wearing long robes means we don’t often see any footwear anyway!).
Let’s get started by looking at what it seems just about everybody wears in the Galactic Civil War era:

**Riding boots**: Biggs Darklighter, Ben Kenobi, Dannik Jerriko, the Tonnika sisters, Han Solo;
Rebel pilots (0 BBY), Luke Skywalker (medal ceremony), Bespin wing guard, Alliance generals, Luke (4 ABY), Bib Fortuna

I didn’t include them here (because…y’know, space-fascism), but I should note that most ranking Imperials wear similar boots. If you’re portraying a character in the Civil War period, you really can’t go wrong with something tall, black, and shiny!

Plenty more examples within!

Doing right by (fictional) History

In historic reenacting circles online, rarely do I see anyone say, ‘Thinking about starting on a Fallschirmjager kit. Show me some FJ impressions for inspiration!’. The best and most authentic ‘inspo’ is not other reenactors’ kits, it’s the primary sources themselves!: wartime photography or film, military manuals, soldiers’ diaries, etc.
Reenacting/living history in the Star Wars setting is no different – if you want to build an authentic impression of x, you don’t look for what others have done (that’s how reenactorisms get spread), you look at the media where that impression comes from – the film, TV, book, video game, or comic book.

If one takes a quick scroll-through of facebook’s largest general reenacting group, Living History~ show your impressions (currently 19,000+ members), a pattern quickly emerges:
“Roman auxiliary, Teutoberg, Germania, Autumn 9 CE”
“Loyalist rat catcher, Philadelphia summer of 1781”
“Confederate widow in mourning, Richmond Virginia, early 1865”
“LIFE Magazine photographer attached to C Troop, 82nd Armored Reconnaissance Battalion, 2nd Armored Division in Autumn 1944.”
“Cpl Bradshaw, Automatic Rifleman of Dog Company, 2nd Battalion, 5th Marines, 1st Provisional Marine Brigade, Pusan, Republic of Korea, August 3rd, 1950”

Hiding in plain sight

I talk a lot on this blog about the idea of ‘reenactorisms’ – inaccuracies that get unknowingly (or knowingly!) perpetuated because someone didn’t do their research. Usually when discussing these blunders we’re talking about individuals making them, but I wanted to point out two examples to day that prove the big players are not immune to making sloppy mistakes either!
Following the release of Episode III in 2005, LA’s FIDM (Fashion Institute of Design and Merchandising) hosted the exhibit Dressing a Galaxy, which featured 100 screen-used costumes from Episodes I through VI. From the pictures I’ve seen online it was an absolutely incredible presentation.
However, one tableau of costumes held a glaring mistake for all to see:

If you can’t spot it, maybe we’d better check the references:

Even more galactic whittling: Gozanti cruiser

Amazing what a transformation a coat of paint can accomplish!

For my latest ‘galactic folk art’ adventure, I decided to make a civilian-model Gozanti cruiser, partially inspired by the post-Disney Imperial incarnation featured in ‘The Heiress’. This ship has been around since at least 32 BBY (its first appearance was taking off outside Mos Espa in Episode I), so it’s a solid fit for any of my personas to carry in a pocket:

Whenever I’m feeling stressed out, in a funk, or down on myself (usually after spending too much time on social media and comparing my own slow progress and accomplishments with other folks’ flashy projects!), I find a great coping mechanism is to pick up some small project that can be completed with short turnaround. Whittling is a great choice for these kinds of projects, as I find the act of whittling by itself to be very grounding and meditative. However, the ‘in the flow’ quality of the work means that I always forget to take in-progress pictures, reinforcing my FOMO of not keeping up with the social media Joneses! (Aaahh, what difficult-to-navigate times we live in. 😉

Searching for AgriCorps style

It’s somehow been several (4.5?!) years since first I first ventured forth to do some first-person galactic interpretation, and as you would expect in a hobby geared towards constant tinkering and improvement, I’ve made plenty of changes to that impression since then. In the coming months, I plan to roll out some ‘complete kit’ breakdowns for my various Star Wars living-history personas. In the case of my ex-Agricultural Corps Jedi impression, I realized that a kit breakdown wouldn’t be the right place for fully detailing the research that went into said impression…especially since I portray him long after the Corps has been dissolved!
What’s more, a recent addition to our community in the SWLH facebook group expressed great interest in pursuing an AgriCorps impression, so I wanted to use this post and lay out the few bits of information I’ve been able to dig up–not only for their benefit, but for anyone else who might be thinking about such a persona. If you have an interest in gardening, botany, biology, geology, or environmental science and want to apply it to the Galaxy Far Far Away, consider the AgriCorps!

Compared to the larger Order as a whole, our sample size of analyzable visual examples for the Service Corps (and AgriCorps specifically) is a miniscule—only nine.

This generic Mohawk’d fellow comes from the Power of the Jedi Sourcebook (2002), while The Jedi Path (circa 115 BBY) gives us six more individuals, plus a generic Service Corps member:

Thoughts on ‘The Jedi’

Welcome back to my commentary series on Season 2 of The Mandalorian; for this installment we’re breaking down Chapter 13 ‘The Jedi’, and I gotta say, while everybody was losing their minds this time around, I really wasn’t feeling it. Call it jumping the shark, but something just felt…off about this chapter, which is profoundly disappointing to me because there was such potential.

A few folks’ comments I saw praised Dave Filoni’s directing in this episode, saying ‘it was just like an episode of The Clone Wars come to life!’ But to be honest, several times this episode I almost found myself nodding off…too many long, lingering shots with nothing happening made it feel very poorly paced.

Right off the bat—literally, just 40 seconds in—we have our first view of live-action Ahsoka…and boy, was I underwhelmed.
I feel like the cold open where Ahsoka picks off mooks in the darkness had the potential to be a really visually-dynamic sequence, but what we get just struck me as humdrum instead of artistic. Considering the murky setting and the lightsabers involved, I think this chapter’s opening could’ve been a great exercise in chiaroscuro as a Lucas-style “tone poem”: make the scene darker, use the lightsabers sparingly, with some mook POV shots as you hear (but can’t see) her getting closer, a snap-hiss and a scream in the distance, then see a dark shape zipping from place to place…in my mind’s eye the scene is way better than what Filoni gave us. The best parts of the sequence are early on, when Ahsoka is obscured or seen in silhouette (in a hood she has a great silhouette), and given the reputation of the character you’d think she would merit a better reveal than what we got: I wish she had been teased early and then been properly revealed later in the episode, but…nope.