Welcome back to our monthly spotlight series! In this feature, we talk with Star Wars costumers who help illustrate what high-quality, in-universe costuming looks like, and provide some insights into their character creations! This time around, we’re looking at two Halcyon cruisers, Max and his wife, about the creation of their excellent smuggler/civilian outfits!
Special shout-outs this month to Doremy and Renee for their generous donations to help out the site – you all rock! 🙂 If you like this series and would like to support my work as well, consider contributing below!
While I personally avoid the divergent creative and aesthetic decisions of the post-Disney era, these outfits are still quite representative of the general galactic style and worth showing off!read the full interview!
Welcome to another installment of our ‘Galactic Style Guide counterpoint’ subseries, where we help you strengthen your ‘Star Wars eye’ by highlighting and addressing commonly-made costuming faux pas. As part of the GSG, the ultimate goal is still to help you create a more accurate ‘outer persona’ – but we approach the goal from the opposite direction!
Since the earliest designs of Star Wars ’77, one of the main signifiers of GFFA fashion is the absence of visible fasteners—as chief costume designer John Mollo said, “George didn’t want any fastenings to show, he didn’t want to see buttons, he didn’t want to see zips, so we used stuff like Velcro, and things were just wrapped over and tied with a belt…” – The Making of Star Wars (J.W. Rinzler), p. 125. Since this is one of the chief ‘rules’ of Star Wars fashion and comes straight from the top, something like 98% of the outfits seen onscreen abide by this rule. When visible fastenings do show up on screen, eagle-eyed costume-minded folks (or those who really want to cut corners) tend to make a big deal of it….although they really shouldn’t.
buttons onscreen in OT and PT: Pons Limbic, Figrin D’an (and the rest of the Modal Nodes), Rebel honor guard, Yavin ceremony backgrounders, Tian Chyler, Jango Fett, Elan Sleazebaggano
Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ to help you create a more authentic ‘outer persona’! Folks have been asking me to do a post on in-universe jackets for a long time, so I figured the best time is Now! In fact, I dug up so many examples that this is going to be a two-parter (it feels like we haven’t had one of those in a while)! This month, we’re looking exclusively at examples from live-action sources. For our purposes, when we say ‘jackets’ we are talking about sleeved, (typically open-front) roughly waist-length outer garments; longer garments along these lines would be considered coats (and will be discussed in a later entry!). As we’ll see, these garments have been a big part of the GFFA style since day one:
it’s never been quite clear if Cpt. Antilles is a Rebel wearing an Alderaanian jacket, or an Alderaanian wearing an Alliance-issued jacket. Any ideas?Episode IV jackets: Rebel leadership, Fixer Loneozner, Beru Lars, a Mos Eisley Lutrillianplenty more examples below!
Hello there, readers! As I did last summer, I want to give a heads-up that the next several months will see a change in the pace of material being published here at the Star Wars Living History blog. While I kind of wish this announcement was coming at the start of another long-distance backpacking adventure, the actual reasons for it are still exciting!
Somewhere around the middle of Virginia last fall I decided that when I returned from the Trail I wanted to get into the (small) business of galactic clothing, and this spring launched my Offworld Outfitters brand. At present my product line is limited to in-universe-styled spacer/adventurer’s vests, with plans for other offerings possible down the line. I trust that the previous five years’ worth of posts at this blog will sufficiently demonstrate my commitment to quality and the authentic GFFA style 😉 For those interested in a vest of your own, you can find my vest commission form and more information at the OFFWORLD.OUTFITTERS link above!
So: in order to better divide my time between this venture and some intensive projects for the Middle-earth Reenactment Society, plus for my own mental health (you can experience ‘burnout’ on hobbies, too!), over the next few months you will see me stepping back from publishing this blog on a weekly basis. What this means for you, reader: my recurring series the Galactic Style Guide will continue to drop on the last Saturday of each month, while future entries in our new Diamonds in the Rough interview series will come out on the second Saturday of each month. In between those, I may release other posts on an individual basis as time allows; in other words, as a rule you should expect two posts per month instead of four (or five). I’m also open to the idea of reader-submitted guest articles, so if you have a fictional-reenacting or GFFA-living-history-related topic you would like to research and report on, please don’t hesitate to click the CONTACT button above and get in touch!
Thank you for reading, and may the Force be with you!
Over the years, I’ve seen easily thousands of Star Wars costumers come across my various feeds. While there are plenty of folks with screen-accurate face character outfits in the Legions, the ‘OC’ section of the community can be a little more…hit-or-miss. In this recurring feature, I’ll be sharing my interviews with several stand-out examples of the foundation of what we aspire to do here – accurately portraying the common galactic citizen. I hope that these individuals can help illustrate what Star Wars ‘reenacting’—or at the very least, high-quality in-universe costuming—looks like, and provide some insights into their character creations.
In our first entry, we’re spotlighting G. Palmer, who has put together a first-rate impression of a common droid mechanic:
SWLH: What was your initial inspiration for this character design? GP: I was inspired by the kinds of background characters that are seen for a few seconds and then disappear around a corner or through a doorway.
Whenever I come across someone online showing off an original Star Wars costume, few things can make it feel out-of-universe faster than visible Earthly fasteners. This should come as no surprise, as the lack of visible fasteners (zippers, buttons, etc) was one of Lucas’ chief design points when creating the original film’s visual style (see Alinger’s SWCOT). While working on a future installment of Galactic Style Guide, I realized I should probably lead by example and make sure none of my own kit pieces broke this rule…and if any did, to fix them ASAP!
Since a lot of my gear has been purpose-built for GFFA living history, most of it is fastener-free. However, some of the milsurp pieces I use would need tweaking; the first of these was my satchel, originally an M9A1 gas mask bag:
Welcome to the first entry in our ‘Galactic Style Guide counterpoint’ subseries! Where the GSG could be summed up as ‘how to look Star Warsy’, these alternate posts are meant to highlight and remedy common mistakes that can make an outfit look NotStar Warsy! From the very beginning, the world of Star Wars has always had a very specific visual style. Unlike the matinee serials it was inspired by (in which heroes wore shiny, silver bodysuits and enemies wore bright gold and scarlet robes), the Galaxy Far Far Away was much more grounded in its visuals. While characters might fly starships across the galaxy and duel with swords made of pure energy, they didn’t dress futuristic. Chief costume designer John Mollo’s mix-and-matching of real world historical styles (Russian/Japanese peasantry, American cowboys, medieval gowns, World Wars military uniforms, etc) for inspiration provided the solid and believable foundation from which the series’ visuals would evolve. As part of this grounded approach, most characters tend to wear costumes in a very specific range of colors:
“The color scheme basically was the baddies would be black or gray, with the exception of the stormtroopers, and the goodies should be in earth colors—fawns and whites… Mollo tried to keep the colors muted wherever possible. Color is very, very difficult to use. Bright colors don’t work well on film, particularly reds and blues. George always goes for the authentic….and if it’s all garish color, it doesn’t work.” (Brandon Alinger. Star Wars Costumes – the Original Trilogy, 2014. p 15.)
This rule does not mean, however, that your outer persona need be limited to earth tones and shades of gray – as we saw a few weeks ago, there are tons of examples of characters wearing every color of the rainbow (especially in the pre-Imperial period)! However, if you noticed, almost all of them had something in common. As we read above, the main rule for creating authentic in-universe clothing is simple:Avoid. Garish. Color.: thus, if a garment is a fully-saturated hue, it is much less likely to ‘read’ as being authentic to the Star Wars setting. Let’s take a look at what I mean.
Hello there, folks! We don’t have a regular post for you this week, but believe me that next week will more than make up for it (a triple-header, in fact)!
As I was reflecting recently, I’ve been a maker of Star Wars clothing, costumes, props, and gear for over 20 years! After building and growing my skills for so long, I’ve been thinking it might be time to try and turn my hobby into a small business. So…
To help identify my market and see what potential products people might be interested in, I’ve created a short, anonymous survey, which you can find HERE. Your participation will be greatly appreciated – thank you!
Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ to help you create a more authentic ‘outer persona’! This time we’re looking at a segment of the galactic population which we don’t tend to see much of: children younglings! As it sounds like a major target market for Disney’s Galactic Starcruiser hotel is families with children—and because I’ve seen many would-be guests express uncertainty about how to dress their children in GFFA style—I thought it would be especially helpful to collect and share some examples of in-universe clothing worn by children. I’ve attempted to present them chronologically and grouped by planet.
We begin in the distant past, on Ruusan during the New Sith Wars c. 1,000 BBY. Here we see the first appearance of a general trend of children wearing shorts and/or short sleeves (or no sleeves!):
from Jedi vs. Sith (2001)
It’s worth noting that pretty much every youth we see on Tatooine is a slave, so I’m not sure how much their style of dress is indicative of childhood under the twin suns versus social status (would young Luke have worn something similar as a farmhand?). One thing is for sure, while the garments themselves are simple construction, the cloth they’re constructed from has a lot of texture! However, we know (Dressing a Galaxy, p11) that Anakin’s tunic was made of a silk/linen/hemp blend (presumably the others were something similar), which sounds pretty comfortable (well, except for all the sand).
Welcome back to another installment of the Galactic Style Guide, the monthly series where we break down the ‘Star Wars aesthetic’ to help you create a more authentic ‘outer persona’! While quality reenacting and living history like to focus on the ‘common’ experience, Disney’s Galactic Starcruiser hotel experience is billing itself as a luxury cruise, and I’ve seen plenty of folks online asking, ‘What am I supposed to wear???’ With that in mind, I’ve combed my reference library and collected some examples of formal outfits to help give folks an idea of what ‘fancy dress’ looks like in the Galaxy Far, Far Away. Following up on last month’s look at examples from onscreen, this time around we’re focusing on outfits seen in EU materials.
Living History in the Star Wars Galaxy 