Artifact ID: Lyra Erso communicator

As explained in my earlier post of 24 June, I’m approaching the artifacts of Rogue One at arm’s length and with a grain of salt, under the understanding that the film is a materially-correct but narratively inaccurate holodrama. In this post, we’re looking at the belt communicator of the character ‘Lyra Erso’.
(Credit for successful detective work and identification goes to Rebel Legion forum member ‘the.rebel.agent’.)   What did it start its life as?

R1 lyraComm

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Artifact ID: G3 cleaning kit

Our Rogue One identification series continues, with a very useful–and very accessible–piece of German hardware that you can use to diversify your Star Wars-reenacting ‘hard kit’.R1 G3box
Credit for this goes to German contributor ‘T.K.’, whose eagle eyes were able to identify the gray-and-yellow box on the shoulder of ‘Cassian Andor’ as a familiar bit of Deutschland militaria.
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Artifact ID: Paterson Trident

Before we take a dive into the props of Rouge One, I first wanted to share this Classic Trilogy gem of an artifact.
The Patterson Trident is truly a relic from a bygone age. Slide viewers, amiright? Obsolete though it might be, by playing a part in the most influential film of the last 40 years, the Trident has enjoyed a second life by being a hot commodity among dedicated prop-replicators.
trident3Don’t recognize it? One lonely Trident may not look like much, but what if it’s joined by five friends and some assorted greeblies? Continue reading “Artifact ID: Paterson Trident”

NRAC: research and insights

Creation of a functional New Republic Archeological Corps impression will be an exercise in extrapolation, as I have a limited amount of data to draw from. In this post I’ll lay out and unpack the sources I uncovered, and next week I’ll reveal a ‘character design’ I have synthesized from these sources, and my explanation for these choices.
EotE-EtU p6As the main body of Star Wars material for popular consumption generally (and stubbornly) revolves around a cast of high-level generals, politicians, pilots, soldiers, and warrior-monks, ‘occupational’ characters like archeologists are not to be easily found. As I have frequently found in my efforts documented here, when ‘common’ background details are scarce, one can usually turn to role-playing game materials to flesh things out, and this case is no exception.
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Thoughts on Disney Galaxy’s Edge Cast Costumes

Last week, images were released which revealed the costumes to be worn by ‘cast members’ at the forthcoming ‘Star Wars land’ attractions at Disney parks. I don’t actively follow post-Disney developments, but what I’ve gathered via geek-internet-osmosis is that these cast members will essentially be playing the role of NPCs (non-player characters) who visitors can interact with and who will provide in-universe ‘atmosphere’ for the public, plus manning restaurants (food+beverage) and vending?
While I’m not concerned with ‘NewCanon’, I have spent the last three+ years breaking down the conventions of Galaxy Far Far Away fashion and subtly integrating them into my civilian wardrobe…so when I heard that these Disney park costumes would be ‘everyday’ clothing, I had to see how they lined up with my observations.
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Image Analysis: Garqi Agricultural Academy

(image originally published in WotC’s Geonosis and the Outer Rim Worlds (2004), artwork by Langdon Foss.)

This image is a great ‘slice of life’ for children on an agricultural backwater—sort of a Star Wars Norman Rockwell scene: who hasn’t been a youngling ‘flying’ toy spaceships around while making PEW-PEW sounds? But what’s more important is how especially valuable this image is for the rare look it gives us at GFFA commoners’ fashion. Here are a few pertinent tidbits I’ve teased out:
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Artifact ID: Donovian Rainmen revisited

As we stand on the threshold of 2019, I hope that this blog will help inspire more of you to use this year to break out of the limiting ‘cosplay box’, and experience the Star Wars galaxy in the most authentic way you can! This is a follow up to a post I made almost exactly a year (51 weeks!) ago, which identified several items of European military surplus used to outfit some Episode II background extras portraying a crew of ‘Donovian Rainmen’:
rainmen1_AotCVD
This post would not be possible without the help of one T.K., who reached out from Germany and was kind enough to supply a list of several more items from the various films that he has identified, including several from our friends the Rainmen! T.K.’s observations are backed up by actively serving in the German Bundeswehr (Army) – so he has had first-hand experience with many of these pieces of gear. Continue reading “Artifact ID: Donovian Rainmen revisited”

Project: Wookiee battle shield (part 1)

While (yet again) leafing through the Complete Visual Dictionary, looking at artifacts, I happened upon a particularly fascinating example. I was attracted to its vaguely Polynesian(?) design—kinda like a giant pouwhenua—as well as the stylized tiki-style iconography. I actually vaguely remember seeing the prop in person at Celebration 3 back in 2005(!), and being pretty impressed. As I’ve been building up my woodcarving skillset over the years, I thought it might be time for some large-scale work—and what’s larger scale than an heirloom Wookiee shield from the Battle of Kachirho?:
wookieeshield
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Ode to the Side-Release Buckle

 

 

While I currently have several projects on the proverbial back burner–waiting on, among other things, a modeler, a printer, and a blacksmith–I am doing my best to keep the blog from lapsing into content-hiatus. This week, I offer a simple collection of images, centered around the humble side-release buckle. This piece of costume hardware was apparently commonplace throughout the Galaxy, and so would be an appropriate item to include in one’s GFFA kit.
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Searching for civilian style on Naboo

When I first started toying with the idea of portraying a Rebel ‘partisan’, I knew I wanted to integrate elements of the local planetary fashion, but also include enough elements of the larger galactic style so that the impression would still be recognizably Star Wars.
Finding the right ratio between the two would be the real trick, since a) Naboo’s nobles in the late Republic period tended to dress in an impractical, distinct Renaissance style, b) we don’t really know what Naboo fashion was like during the Imperial period, and as I’ve written before, it’s hard to be taken seriously as a guerilla fighter when you’re dressed like Catherine de Medici. If I wanted to pull this off, I was going to have to do some detective work.
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