Month: July 2021

Galactic Style Guide – Revealing Outfits

Welcome back to another installment of the Galactic Style Guide, the series where we break down the ‘Star Wars aesthetic’ in order to help You create a more authentic ‘outer persona’! While this series is normally geared at pointing out style elements that are widely and commonly represented in the galaxy, this month we’re taking a look at a ‘style’ which is comparatively un-common. Or perhaps I should say, while we have many examples of revealing outfits, after examining the complete sample, we will see that this style should really only be worn by a limited set of character types. (For our purposes here, I’m considering an outfit ‘revealing’ if it exposes some combination of arms, legs, or torso).

scanties-Jabbas
Jabba’s scanty retinue: Leia, Malakili, Rystall/Greeata/Lyn Me;
Oola, Yarna d’al’ Gargan, Diva Shaliqua.
The character Jess—said to be a popular musician—while not a slave or servant, nonetheless dresses revealingly while at Jabba’s court.
far background Mos Eisley cantina patron Leesub Sirln – wearing a surprisingly futuristic-looking and revealing…leotard? (with riding boots!)

The Expanded Universe includes a number of examples as well:

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The great Twi’lek mix-up

I’ve explored the idea of Reenactorisms—the acceptance and perpetuation of an innaccuracy—several times before, but it is worth pointing out that these are not limited to fan creations: official resources can still fall into the pit.
Work on this month’s Style Guide post got me thinking about a key confusion in the depiction of the Twi’lek species: males have ears, but what do females have? The past 20+ years of visual sources suggest they all have cones where their ears should be, but prior to the release of The Phantom Menace in 1999, Twi’lek females most definitely had ears! We can trace the source of this confusing inconsistency by noting the examples of ‘cone’ or ‘ear’ as they appeared in order of release.

1983: Oola—the first depiction of a female Twi’lek—is green. The cones on Oola’s headdress are clearly white, and are also clearly part of the headdress, not protruding from within it.

January 1995: art development/pre-production begins on Episode I

Continue reading “The great Twi’lek mix-up”